Mancunian producer James Booth holed up in various Hulme flats and half-studios with nothing but an old iMac to craft the six lushly overcast house designs comprising his vinyl debut, Human Rites. And, as is sometimes the case, the limitations were liberating: “With all of my gear in storage I downloaded a couple of plugins and tried to breath some life into them… with none of my old dusty buttons and keys I ended up focusing more deeply on the melodies and sound of each instrument.” Building on the misty-lensed techniques of his 2013 SILK cassette, Reunion, Booth’s new set of tracks feel even more nuanced and rain-streaked, streetlights dissolving through night bus windows, suburbs and moors glowing grey in the motorway’s false dawn. Structurally these songs swirl more than peak – synth lines spiral woozily, rhythms flex and fade, emotions come in and out of focus. He sees it similarly, describing Rites as “music for processes and passages; time elapses and we change.” Personal music for an impersonal world. 33 RPM black vinyl 12 inches in SILK label jackets designed by Roland Tings. Mastered by Eric Hanson.