***Gyors, Lassù marks an important milestone in the evolution of MARTIAL CANTEREL’s music, progressing far beyond the cages of “minimal synth” and embracing the noisier qualities of its sound with a renewed urgency, a kind of thickness embodied in multiple layers using only eurorack, Serge and Roland 100 modular systems at his disposal and flushing out the entire session in one take. Sine waves are rendered into walls of guitar-like noise on songs like “And I Thought,” while the stretching out and liquifaction of what were once very precise pointillistic staccato synth arpeggios are marshaled into layers of violent bliss on “Gyors, Lassù.” The analogue labor and the density of sound highlight the character of continuous performance of the music, where the intertwining of the artist and his work is profoundly material in its quality. As in a modern embodiment of the potter’s wheel… the hands, the texture of clay, with ceramic material. Translated lyrically and conceptually, music performance is for time what travel represents in space, and Gyors, Lassù is the sonic rendering of SEAN MCBRIDE’s wanderings between Hungary (“Bulvàr,” “Budapest II”) and the South of Italy (“Teano”), between vibrant rhythmic structures and melancholic instrumentals, balancing its bodily intensity with abstract experimentation against the regression of the modern listener.