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cover

On the first solo release from tape-noise stalwart SAMANTHA FLOWERS, inane conversation segues from isolate flutter to stoop obsolescence, swaddled in a bored headache of masked vocals and malfunction. Signal interference bleeds into positional confusion and numbskull amp burble, while still retaining an adroit sense of humor. Over the past few years, Flowers has racked up an impressive resume during residencies in Philadelphia and Detroit, with turns in various projects, including out-of-bounds rhythm box unit Growth Program alongside Chris Durham. C. R. ODETTE refines the confounding aesthetic of Flowers’ crud-improv duo Creode, while also allowing for perpendicular forays into AQM-style shortwave collapse, Quick Stab-fried pop debris and deep Kenzo field recordings. Edition of 100. C30

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