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***BACK IN STOCK!!! Departure Chandelier’s music shimmers with the aesthetic ardor of apotheosis. It is a communion with the deceased, tracing the pathway of life transmuted into death over dishonor. Although comprised of members of Akitsa and Ash Pool, Departure Chandelier is wholly unique in style and substance and bears little overt resemblance to either of those projects. Recorded nearly a decade ago, Departure Chandelier’s debut album, Antichrist Rise to Power, actually preceded the band’s demo, The Black Crest of Death, The Gold Wreath of War, which was released in 2011 on Tour De Garde. Recorded in a basement at grave-level behind the New York City Marble Cemetery (the oldest cemetery in New York City), established as a repository for the dead in 1831, just a decade after Napoleon’s death. Within the gates of the small graveyard (where photography for the album was taken during a rare snowstorm) each plot is commemorated with a marble tomb. Compositionally, one hears the heavy influence of Bathory and other seminal acts overwritten by the sound of classic French black metal such as Osculum Infame, Bekhira, Chemin de Haine, Cantus Bestiae, and Machiavel.
#1 Intro (Napoleon's Sword)
#2 Life Escaping through the Candle's Smoke
#3 Forever Faithful to the Emperor
#4 Catacombs Beneath the Castle of the Marquis
#5 Departure Chandelier
#6 A Sacrifice to the Corsica Antichrist
#7 Re-Establish the Black Rule of France
#8 Outro (Exile on the Jagged Cliffs of Saint Helena)