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*** The first in a series of albums where Haynes digs through Simon Whetham’s Active Crossover archive — which includes field recordings of refuse from Soviet-era industrial farming complexes, the droned blur of Aeolian harps, massive oil tanks, and the torrent of noise from the Arctic wind ripping through an empty water tower — and grotesquely exaggerates the details into exploded compositions of volatile dynamics, nerve-exposed dissonance, caustic shortwave signal abuse, and a considerable amount of scarred metal. This discordant work finds company near the Schimpfluch Gruppe’s aktionist stains and the sour collages of 150 Murderous Passions. Includes an additional 20 minutes of material not included in Crónica’s previous digital release. C60