Search products on Midheaven by artist, product title, label, or by UPC.
REDEEM DOWNLOAD CODE
Enter the download code you received with your purchase to claim your downloads. Keep in mind many mobile devices don't have built in support for opening ZIP files; you may want to download on a computer.
Lee Gamble's UIQ label returns with the debut 5-track EP from 22 year old Glaswegian Lanark Artefax, whose precarious ballistics place a queered sidespin on Lee Gamble’s own dancefloor discombobulations, highly recommended if you're into Autechre, Brood Ma, Rustie or Gabor Lázár...
The Glasz EP is a trippy, time-warping suite feeding complex rhythmic structures and bent club blueprints thru meticulous FX contouring, re-shaping conventional shapes to create something almost gaseous in form. It's a sound rendered most explicitly in the title track and the lush, polymetric gyroscopics of All That Is Solid Melts Into Air, or with more elusive, prism-pushing aspects of cone-buckling subs and interlaced choral frameworks in Remainder I that sound like ‘ardcore filtered to plasmic, quantum jelly.
Glasz opens the other side with a curdled take on trap, oozing queasy stripes of melody and rave stabs on a brittle, percolated rimshot/snare, before Phasze (s_h_i_f_t) diffuses grime in an aether fantasy of sci-fi romantic pads and scything, elastic drums, and Virtual Bodies glitches a sort of shatterproof, neon-coloured chamber music.
Killer stuff once again from this firing, singular label.