Chicago’s Potions (aka Tom Owens) oozes a suitably liquid sub-species of electronic rhythm miasma, which he’s been bottling on boutique cassette reels since 2011, exploring various vibes and viscosities. Phased collects seven of his latest and most luxuriantly languid lava lamp concoctions for what, to our ears, may be his supreme setlist to date. Recorded primarily using “MIDI technology of decades past” (not for nothing was his debut LP called MIDI Jazz Bass), the album slips and slides through jittery cyborg jazz, disjointed lounge-fusion, siphoned acid, and dubby, dissolved house, a bubbling beaker of fluid synthetic textures. The off-kilter percussion programming gives each piece a pleasingly unstable voltage, skewing the equilibrium in whooshes of phaser and stereo rainstick. Fellow ambient sculptress Laura Jane Friedman guests with some gorgeously reflective multi-tracked vox on “Glass Lake,” but otherwise this is an instrumental affair. Mastered by Alter Echo.