One of the most bizarre and polarizing musical entities in extreme music returns with their fifth and most likely final full-length album, completing the circle they started many years ago from the barren wastelands of Saskatchewan, Canada.  The five elongated tracks on Postsocial comprise some of the most intriguing work ever from blackened noise terrorists Wold. Residing on the alien fringes of the harsh black metal, noise and experimental realms, the band’s music is an intimidating yet transcendental barrage of unforgiving white noise steeped in occult and esoteric dogma. Postsocial is the ultimate testament to the Wold aesthetic, which has garnered accolades from the likes of Matthew Barney, Björk, Pitchfork and The Wire.