***Superb and historic collection of 1968-1969 UK psych—excellent somber, moody, minor key demo material taken from original master tapes and restored acetates. Trying to follow the chronology of PETER DUNTON's projects is difficult—these tracks were recorded soon after the demise of NEON PEARL (a band documented by our own Acme/Lion CD release), around the time the other original members of PLEASE were recording the BULLDOG BREED album for Deram (another band documented by an Acme/Lion CD release), and just after Dunton had left GUN to rejoin forces with bass player BERNIE JINKS, his co-leader in phase one of Please for the band that would eventually emerge as T2. Booklet contains lyrics, and notes on the various moves and disintegrations. This disc features the original killer demo version of 'No More White Horses' (a song that T2 would take into another dimension on their epochal "It'll All Work Out In Boomland" album, also available in our Acme/Lion series), as well as 'Folder Man,' written by Peter Dunton, which has been utilized by Gnarls Barkley on 'The Odd Couple.' Includes an alternate version of the stunning Syd Barret-esque 'We Aim To Please' as a CD-only bonus track. Edition of 300 copies.
CD $11.00
11/17/2017
***The first release (1969) from the home studio of future BBC Radiophonic Workshop composer PETER HOWELL (he wrote the second version of the Doctor Who theme tune for BBC-TV) and his musical partner JOHN FERDINANDO, makers of legendary albums under the names ITHICA, AGINCOURT, FRIENDS and TOMORROW COME SOMEDAY. This private press record was recorded as a musical backdrop for a stage version of Alice through the Looking Glass by local amateur dramatics group the Ditchling Players. The musical templates are inspired, Lewis Carroll's surreal poetry is as attractive as ever, and the project is colored by other English psychedelic acts of the era such as the Pink Floyd: indeed, it has been compared elsewhere to a pastoral equivalent of Piper At The Gates of Dawn. There are numerous highlights scattered throughout the album, but pride of place must go to ‘Jabberwocky,’ an impressive mélange of treated vocals and backward tapes that is worth the price of admission alone. With its drowsy atmosphere, myriad sound effects and languid organ-based sound, “Alice” certainly invokes the spirit of the psychedelic age, albeit from the perspective of photogenic Middle England rather than hallucinogenic Middle Earth. Rarely can an album or book have ended with a more apposite line: “Life—what is it but a dream?" We are pleased as punch to be able to present the compact disc debut of “Alice”—and with extra material, too!
CD $15.50
07/13/2010