Latino Bugger Veil

Butthole Surfers

Hairway To Steven

Latino Bugger Veil

***BACK IN PRINT ON VINYL!!!  Latino Bugger Veil presents the long-awaited vinyl reissues of Butthole Surfers’ first four full-length albums. Originally released between 1984 and 1988, these classic and influential LPs capture the band at their peak, drawing from punk, rock, psychedelic and experimental influences for a truly inspired and unmistakably unique sound. Comes with coupons for free digital downloads.

Butthole Surfers

Locust Abortion Technician

Latino Bugger Veil

***BACK IN PRINT!!! Latino Bugger Veil presents the long-awaited vinyl reissues of Butthole Surfers’ first four full-length albums. Originally released between 1984 and 1988, these classic and influential LPs capture the band at their peak, drawing from punk, rock, psychedelic and experimental influences for a truly inspired and unmistakably unique sound. Comes with coupons for free digital downloads.

Butthole Surfers

Psychic, Powerless.... Another Man’s Sac

Latino Bugger Veil

***BACK IN PRINT!!!  Latino Bugger Veil presents the long-awaited vinyl reissues of Butthole Surfers’ first four full-length albums. Originally released between 1984 and 1988, these classic and influential LPs capture the band at their peak, drawing from punk, rock, psychedelic and experimental influences for a truly inspired and unmistakably unique sound. Comes with coupons for free digital downloads.

Rubble

Farewell Drugs

Latino Bugger Veil

INCLUDES FREE DOWNLOAD COUPON!!!Rubble’s debut album is a modern Texas psych project seven years in the making. And no, we don’t mean tepid jangle psychedelia from kids whose roots go all the way back to buying a Pebbles box-set in 2006—this is the hard stuff made by grown men who know better and can’t help themselves. The Austin band was formed in 2003 by King Coffey (Butthole Surfers) and Bobby Baker (ST-37, Baby Robots). Tom Carter (Charalambides) played guitar for a while before handing the keys over to Shawn David McMillen (Ash Castles on the Ghost Coast, Warmer Milks, plus his solo albums on Tompkins Square). Rounding out the fivesome is Matt Turner (Quttinirpaaq) and Craig Stewart (Sex Organs of Emittance). Rubble makes music where Texan icons Josefus and Stick Men with Ray Guns hold equal reverence; where covering Joe Byrd & the Field Hippies and songs from the Cruising soundtrack makes perfect sense. Over the past seven years they have toured Texas with Trås Grås och Stenar and Comets on Fire and shared the stage with Sun City Girls, Acid Mothers Temple, Rusted Shut, Sic Alps and many more. The Farewell Drugs is a diverse album of high-speed squalls, slow stomps that go from the lower mantle to the inner core, and anthems to the stratosphere. The MVP moments come from Ralph White (of solo and Bad Livers fame) on kalimba and violin.  

Butthole Surfers

Piouhgd + Widowermaker!

Latino Bugger Veil

Latino Buggerveil’s reissue campaign continues afresh with the reissue of two Butthole Surfers artifacts—the Widowermaker! EP and Piouhgd, all tidied up and combined onto one CD.  These were the last two records the Butthole Surfers made before signing up with a major label. Piouhgd features “Hurdy Gurdy Man,” a single that found its way onto MTV. Need we remind you that the Butthole Surfers’ catalog continues to generate fascination, interest, and puzzlement from past and current generations?  Upon its initial release in 1991, Rough Trade claimed that the Piouhgd was pronounced “pee-owed” (as in the euphemism for “pissed off”) and that it also meant “I told you” in the Navajo. This explanation, as well as the spelling, were fabricated by the label unbeknownst to the band; the album title was intended to be unpronounceable.

Butthole Surfers

Rembrandt Pussyhorse

Latino Bugger Veil

***Re-pressed on vinyl!  Latino Bugger Veil presents the long-awaited vinyl reissues of Butthole Surfers’ first four full-length albums. Originally released between 1984 and 1988, these classic and influential LPs capture the band at their peak, drawing from punk, rock, psychedelic and experimental influences for a truly inspired and unmistakably unique sound. Comes with coupons for free digital downloads.

Butthole Surfers

S/t & Live Pcppep

Latino Bugger Veil

"There's a time to fuck and a time crave, but the shah sleeps in Lee Harvey's grave."  So begins The Butthole Surfers' first song on their first record, a tune that paid tribute to and killed American hardcore once and for all while single-handedly ushering in a new Post-Everything era. Over the course of the next 20 minutes listeners hear the band raving about a Bar-B-Q Pope and the revenge of Anus Presley, thoughts of suicide, and eating cheese and rice. There's even a three-minute pop song ("Hey"), just to confuse matters more.   This legendary Butthole Surfers EP was made by a couple of young ex-accountants with bad hair, who, despite Yankee reviewers' claims, had never even heard Captain Beefheart or Faust. Mixing Flipper with fart jokes doesn't sound like the stuff of legend, but like a fat Elvis or fatter Brando, humor and horror can make interesting bedfellows.  As a follow up, the band went to a bar in their hometown of San Antonio and recorded their live set, for the Live PCPPEP. Many feel these EPs were the best records the band ever recorded and both have been only available on vinyl until now.  As if the first two Butthole Surfers EPs on one portable CD isn't a sweet enough deal, there are bonus tracks: a two-song encore ("Gary Floyd" and "Matchstick") added to the live EP; "Sinister Crayon," recorded for the first EP and not mixed until 2002 (it appears on the...

Butthole Surfers

Humpty Dumpty Lsd

Latino Bugger Veil

***A central Austin warehouse is site of the Butthole Surfers' 278-tape archive. Even when living out of a van in the '80s, they managed to hang on to boxes and boxes of tapes. The van was never stolen, miraculously, and the tapes survive unheard until now. Humpty Dumpty LSD contains 16 cherry-picked rare and unreleased recordings from the band's most productive period - 1982 to 1992. From early four-track demos ("Night of the Day") and punk rock anthems ("Just a Boy") to Morricone-ish western theme music ("Eindhoven Chicken Masque") and free form acid freak outs ("Space"), the music here is as messed up as any of the band's finest material.  Humpty Dumpty LSD sounds like a lost Buttholes album from somewhere between Locust Abortion Technician and Hairway to Steven. For those who weren't there when the Buttholes, their pit bull, and a bank of strobe lights then, toured the country playing their own brand of acid punk for those who grew up listening to hardcore but wanted something more, Humpty Dumpty LSD is the next best thing.