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Yesterday's Glitter by Hale, Indianna

Hale, Indianna

Yesterday's Glitter
Perpetual Doom

***Perpetual Doom is proud to present Yesterday’s Glitter, a new record from San Francisco’s Indianna Hale. Featuring indie rock in the vein of Cate Le Bon, Faye Webster, and Cass McCombs and drawing from 1950s torch-pop icons like Patsy Cline, the songs on Yesterday’s Glitter come wrapped in A.M.-era gauze. It's classic Indianna Hale —the perfect fusion of Marty Robbins and Liz Phair you never knew you needed. The twelve tracks on Yesterday's Glitter resonate with vintage timbre but they also cut with a twenty-first century urgency. Lead Single “I Can’t Talk To You” lightly teases a lover for being too self centered, while the melodic bass and chimey guitar weave a counterpoint that almost tells a story of its own. “Nothing you can say to a person with a broken heart,” she sings. “Nothing you can hear when the song in your head’s too country.” The album's second single, "Hollow the Words," is sonically peppy and lilting, but finds clouds behind its silver lining. "It was tragically beautiful being with you," Hale sings. She describes the song, inspired by the transience of San Francisco, as "a love song to my friend family." It's emblematic of an album whose rumbling bass and soaring vocals are always pretty, but never simple. Hale describes recording Yesterday's Glitter as a serendipitous process of "electric collaboration" alongside producer and guitar player Jason Cirimele. "While tracking 'The Tighter the Grip,' Jason said 'You know what this song needs?' To which I replied, 'Fuzz bass chords...

LP $25.35

09/15/2023  

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***Drift into the celestial embrace of Peter Gilroy's Light Dreams , an otherworldly potion of sonic enchantment. As the album unfurls, listeners embark on a hypnotic odyssey, enveloped in a healing aurora of ethereal vibrations. This atmospheric masterpiece evokes the introspection of Animal Collective's 'Sung Tongs', while guiding souls through the labyrinth of the cosmos. Akin to meandering through hazy cornfields and slumbering meadows, Gilroy's cosmic folk guitar weaves a tapestry of mesmerizing melodies, dream-laden arpeggios, meditative murmurs, and psychedelic panoramas. Rustic field recordings harmonize with subtle, artful instrumentals, breathing life into the evocative soundscape. Embrace the organic rawness as each pluck of the guitar, each breath and hum, and the echoes of the recording space coalesce into a soothing, immersive journey. Traverse the realms of the strange and sublime with this beautifully crafted album – a true delight for the ears of Robbie Basho and John Fahey devotees. 

LP $25.35

06/30/2023  

PD 057 


Gary Owens: I Have Some Thoughts by Graves

Graves

Gary Owens: I Have Some Thoughts
Perpetual Doom

***Perpetual Doom and Curly Cassettes are proud to announce the new collaborative release from Graves, Gary Owens: I Have Some Thoughts. Graves is the project of California’s Greg Olin, who has been releasing music under the moniker for nearly two decades. And for his latest release, he takes a new name—is Gary Owens that smiling young man with the lap steel on the album cover?—to breathe fresh life into an old, old sound. These sixteen tracks sway with the moonstruck sweetness of classic country, blending the sounds of golden age AM radio with a laidback West Count vibe. Gary Owens: I Have Some Thoughts is all about that bittersweet feeling of days gone by. “Dopey-eyed on a moonlit shore” is how Olin puts it on “Time Wasted,” a soft-strummed ballad reminiscent of the Nashville sound of Roger Miller and Merle Haggard. Many tracks feel plucked from that simpler time, from the upbeat downer “Cavin’ In” to the kitschy fun of “Atchee Ketchee” where he stumbles nonsense lines before finally singing, “I just wanna find the words to say I love you.” Olin recorded half the record during the pandemic, and he describes the process, slowly building tracks, waiting for collaborators to send their parts, as one of excitement, “like always waiting for a check or fresh pair of socks to arrive in the via snail mail.” Graves blends the mellow with the slightly sour, addressing aging and mortality in clever ways on songs that recall the best of David Berman’s...

LP $25.35

06/30/2023  

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***Perpetual Doom and Plume Records is proud to present the debut full-length album from Richard Tripps. Following 2022’s Right Back EP, Tripps’ full-length expands his brand of breezily melancholic indie rock into a stirring record full of mystical folk textures and thrilling songwriting—the musical equivalent of a late-night drive up the coast. For fans of Cate Le Bon, White Fence, and Cut Worms. These ten tracks evince an easygoing mystery that is distinctly reminiscent of their origins at The Unknown, the studio and former Catholic church in Anacortes, WA where Tripps recorded with engineer Nich Wilbur (and his dog Cathy). The studio’s spectral presence is detectable on tracks like “Distant Memory,” with its organ, layers of ethereal vocals, and lyrics of long-forgotten days, and “Bless the Dead.” Speaking of the latter track, Tripps recalls hearing its chorus—“Bless the dead by walking in their stead”—burst out unprompted one morning from the studio’s speakers. “It was kind of spooky,” he remembers. “But the studio never felt haunted in a bad way.” For an album channeling the musical spirits of The Velvet Underground, The Beach Boys, and Leonard Cohen, it was nothing like an evil omen. Other tracks line Tripps’ strumming with a refreshing rock momentum. “Above the Surface” moves with propulsive energy, partly due to a late-night practice session with drummer Brian Noyes (Tomten), as Tripps takes on that universal feeling that “these days are never gonna feel right.” Jangle pop guitar and grieving for a canine friend drive the swirling “VCR.”...

LP $25.35

06/30/2023  

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***Perpetual Doom is proud to present the debut album from Dominic Billett: Two Peach Trees. Based in Nashville but immersed in life on the road, Billett brings years of work as a professional touring musician to his first proper full-length record. It is a collection of vibrant, distinctly realized songs, drawing from an eclectic mix of sounds, styles, and studio effects and unified by Billett’s evocative lyrical insights. The result is a profound debut that speaks to the persistence of longing, artistic discovery, and the tumultuous search for peace. Two Peach Trees opens with rolling snare and breezy guitar as “Satisfied Heart” introduces its luminous, delay-laden take on classic No Depression. Stuck in some beach town, missing someone at home, Billett sings of love’s poor timing: “It’s when you least expect it that new love takes your mind and runs away.” The track’s building swell sets off what could be the album’s guiding sentiment: “I’ve learned to satisfy my heart.” The album pursues that satisfaction across eleven tracks that surge and settle—from the bouncing pop of “Merida” and the noise-soaked pulse of “Around You” to the stately pace of “The Image.” Billett soaks effortless melodies in layers of intriguing noise. The ambling “Stepping Stone” drips with feedback and guitarist Jerry Bernhardt pushes the restless ballad “Want/Need” from quiet to loud. On “Rose,” Billett paints scenes of his grandmother at prayer, reflecting on the quiet desperation in those memories—“Could I learn the love from you the way you always wanted to?”—until...

LP $25.35

04/28/2023  

PD 015 


***"Lee Baggett began a new chapter of his eclectic and varied songwriting career with the 2021 release of Just A Minute, and he’s continuing his experimental streak with his latest full length, Anyway. The seasoned musician is changing his stripes again with this 10-song collection by leaning into a more rollicking sound at times, as evidenced by the brisker feeling “Fruit Dog,” the album’s lead single, and the bustling and twangy penultimate track, “Highway Roll.” By embracing more country-tinged sonic elements like banjo, organ-sounding keys, and harmonica, Baggett is able to weave through winding narratives that poignantly parse through the challenging nature of change and evolution. On “Highway Roll,” he confronts how landscapes and settings he once knew are now unrecognizable, and takes that motif a step further on “Earlier Than The World” by achingly and vividly describing “concrete and rubble” amongst a sea of delicate, yet biting guitar riffs. Escape seems to be a viable option for Baggett with “Sink In My Dreams” and “Dust In The Wind” serving as the album’s soothing remedies, inviting the listener to sit back and get lost in Baggett’s mesmerizing guitar playing. His nimble guitar work is a prominent fixture on Anyway, acting as a crux at several key points. It resonates forcefully and feels emotionally charged. Just take the meandering bridge on “Earlier Than The World” as a prime example of how Baggett can aptly convey feeling through riffs."—Tom Gallo

LP $25.35

01/16/2023  

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***The Nashvillian singer-songwriter, entertainer and artist is best known for her work as the front-woman of rock band The Electric Hearts. Breanne has garnered attention for her distinct voice, songwriting style and raw live performances. Olivia Ladd of The Nashville Scene says “her soulful voice, whose uniqueness and boldness bring to mind Joanna Newsom and Karen Dalton.” I hope you like what you hear. Thank you for the consideration.

LP $25.35

11/18/2022  

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LP $25.35

10/28/2022  

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***Perpetual Doom is proud to present a special double-LP from Mountain Brews. Spearheaded by Jake Longstreth, Los Angeles-based painter and co-host of Apple Music’s Time Crisis with Ezra Koenig, Mountain Brews was founded around a vital American tradition: sippin’ cold ones to the “tasteful palette of seventies rock.” Full of warm melodies and guitars that evoke a Mojave glow, Mountain Brews occupy the sunny spot right between the studio-slick hits of early Eagles and the laidback jams of the Grateful Dead. And now that their four previous EPS are available in a single package, there’s nothing left to do but grab a seat, turn up the music, and crack one open. Mountain Brews are pros at keeping things loose and light. Recorded by the same group of old pals that make up a LA based Grateful Dead cover band, Richard Pictures—including Longstreth, Aaron Olson, Ryan Adlaf, and John Nixon—these seventeen tracks celebrate the early seventies’ spirit of easy-going collaboration. You can hear it when a guitar slide greets the opening strum on the title track, an assuming ode to the pleasures of drinking and hiking: “As we get to the top of the mountain, there’s a view,” Longstreth sings. “Take a load off and crack a few mountain brews.” And while the song boasts virtuoso playing worthy of Desperado, the vibe is less barstool machismo than six-pack camaraderie.

2XLP $31.95

10/21/2022  

PD 030 


***Gestalt is the newest album from Texas-based musician and poet Ryan Sambol. Following his work with The Strange Boys, Living Grateful, and The Interstate Group, this record refines the country-folk sound of previous solo releases Now Ritual (2015) and Rail Sing (2020) in a stark work of personal and musical pruning. Although written for the road and full accompaniment, these nine tracks were recorded in relative isolation, often tracked live, and reflect the sometimes painful, often bemusing process of self-examination. The result is a singular document of a songwriter honing his craft—observing, thinking, and creating. Received a 7.7 rating from Pitchfork.

LP $25.35

09/23/2022  

PD 012 


***Perpetual Doom is proud to present the long-awaited, long-lost album from songwriter Lee Baggett: Just a Minute. A West Coast journeyman of many years and sometimes guitarist for Little Wings, Baggett casts something of an enigmatic shadow in the indie rock world. His record—an odd and inviting collection of hazy sunset tunes—feels lost in time too, drifting through the cosmic wind. Unknown in origin, recorded sometime between 1979 and last year, Just a Minute arrives just in time. These ten songs sound piped in from some beach town purgatory or a vinyl shop at the end of the world. There are rumors they were recorded at Sou’wester Lodge on the coast of Washington, between extensive surf sessions and all-night jams. Appropriately, each track beams with a characteristic lightness.

LP $25.35

09/02/2022  

PD 007 


***The debut record from Feast of Smoke, the recording project of husband-and-wife duo PAUL and AMBER OLDHAM. Ringing with ghostly blues, midnight rave-ups and down-tempo pop, Feast of Smoke joins Amber’s poetic songwriting with Paul’s experience as a veteran producer (e.g. BONNIE "PRINCE" BILLY, ANOMOANON) in this hauntingly pleasing collection of original songs. Behind the kudzu-covered branches of a gothic exterior, Feast of Smoke offers mesmeric, sometimes darkly comic glimpses into the absurd splendor of life together. From the whispered vocals of opener “Goodbye,” a playful plea for togetherness, to the incantatory sighs of songs like “Moan” and “Haunted,” Paul and Amber’s voices blend and contrast in equal measure. It is a fitting sound for a married couple with a dynamic, propulsive approach to songwriting. Through this “fire and water type of union,” as Paul describes it, the pair produce songs that feel studied yet spontaneous. Sometimes the results are eerie and enigmatic, like the late-night house band at backwoods roadhouse. Features guest appearances from PHIL MANLEY, BRIAN GIRGUS, JEREMY GAGON, NEIL HAGERTY, PATTY SCHEMEL, LARRY SCHEMEL, and GEORGE WETHINGTON.

LP $25.35

09/02/2022  

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***The debut album from Evan Kertman: Rancho Shalom. Hailing from Los Angeles by way of Japan and West Virginia, Kertman offers sharp-tongued reflections on love and loss in the form of baroque country folk. Recorded alongside multi-instrumentalist Aaron M. Olson, who layers the tracks with harmonica, vibraphone, horns, and strings, Rancho Shalom is a necessity for fans of classic country and Silver Jews, Bob Lind, and Jerry Jeff Walker.

LP $25.35

09/02/2022  

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***The debut album from Sarah La Puerta: Strange Paradise. Begun on a dead-end street in Austin, TX and finished in a barn in upstate New York, this collection of original songs emerges from the inbetween places of the mind and heart, grounded by autobiographical truth that resonates with the force of myth. Built around the gentle pulse of a Baldwin Fun Machine, a midcentury organ and synthesizer, each track revels in uncanny sounds that call on a world gone by. Swirling in the background are traces of Mexican boleros, Bulgarian choral music, and the melodic sensibilities of Old Bollywood. But even as La Puerta’s musical textures drift off into warm nostalgia, her words cut right to the present. On the opener, “A Gun,” she sings: “That’s why I’m buying a gun: I’d like to have some fun, now while the chips are down.” A peculiar levity throughout offers a distinct counterpoint to the ever-present themes of memory, desire and grief. Sarah La Puerta weaves between them in swaying arrangements that foreground her careful sense of melody and ascendant voice.

LP $25.35

09/02/2022  

PD 020 


***Little Wings' album "Rosy's Own" is a limited release in collaboration with Perpetual Doom & Moone Records filmed and recorded on an undisclosed ranch in the mountains of Southern California. Kyle Field's intimate performance shone a light through the gray haze shrouding the skyline, with the only accompaniment being the sound of nature.

LP $25.35

09/02/2022  

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***The the second full-length album from Max and the Martians: All the Same. Masterminded by songwriter Max Bien-Kahn, Max and the Martians features a cast of all-star musicians spun from the restless world of New Orleans nightlife. Their self-titled debut appeared in 2016, Curtains EP in 2019, and Stay at Home Demos in 2020. All the Same follows those projects up with a statement, sharpening the Martians' wounded country sound into resolute, danceable rock and roll.

LP $25.35

09/02/2022  

PD 009 


***Perpetual Doom is proud to present the new record from Grady Strange: Getting Stranger. Beamed in from Echo Park, Los Angeles, Grady’s supercharged full-length is the perfect soundtrack for our weird times. Here are nine tracks of high-intensity strangeness—what you might call “saltwater cowgirl rock and roll,” filled with big hooks, whirling guitars, and keen insights into life, death, love, and hate. Getting Stranger was recorded by Grady Strange and mixed by Sam Gidley in Nashville. The tracks were mastered by Dan McNiell. Mackenzie Howe provided sax and backup vocals. The record is an invitation to be free in the moment. To grow and keep growing.

LP $25.35

09/02/2022  

PD 018 


***The long-awaited full-length from Tommy and The Ohs: Mariposa Gold. Ohs’ mastermind Thomas Oliverio has worked alongside some of the biggest names in music today—but with Mariposa Gold, he takes a sharp turn into the psychedelic reaches of American roots music and the avant-garde. The result is a wild trip through a lavish soundscape, a California of fantasy and heartbreak, where genres and traditions bleed together in “the big surreal.” Guided by Oliverio’s fine-tuned sense of production and melody, Mariposa Gold is lush with arrangements that strive toward new and surprising dimensions. These songs sway like hummable country weepers sent through the looking glass, joining sheer virtuosity, worthy of the best session players, to a distinct experimental sensibility shaped by bluegrass, country, and psychedelia.

LP $25.35

09/02/2022  

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***Perpetual Doom proudly presents the new album from Earl Vallie: Ghost Approaches. Brandishing a new moniker and a reenergized spirit, Vallie teams up with producer and drummer Greg Saunier of Deerhoof to deliver a collection of boldly weird and defiantly life-affirming songs. Earl Vallie cordially invites you on a journey into the depths of the working-class artist, the neon-sludge pit where workaday drudgery mixes with outsized desires and jumbotron dreams. Ghost Approaches is a cry of resilience, what opener “Ready to Die” calls a “blood-curdled promise to set things right.” That song kicks off the record with a Springsteen-esque howl, with charging guitars and an echoing wail. It’s an appropriate sentiment for a record that begun with Vallie’s move from Joshua Tree to LA and the pandemic-borne worry that music might be behind him. But just like the burst of synths that lifts the dancefloor love affair of “Hollow Skies,” Ghost Approaches ascends with a new, bolder sound. Together with Saunier, whose drumming gives the album a gritty pulse, Vallie adds new heft to his desert-lean tunes until even the album’s darkest moments (“Reap the Seeds of Love”) exhibit a bioluminescent glow. But behind it all is Vallie’s unmistakable voice. Ghost Approaches features a remarkable range of musical contributions, from the chilling sax at the end of “My Babys Broomstick” to background vocals of Val Glenn on “Hollow Skies” and Heidi Alexander on the doo-wop inflected “Prom.” “My only goal,” Earl says, “is to uplift people with sounds and melodies...

LP $25.35

09/02/2022  

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