Babies, The

Babies, The

Our House On The Hill Outtakes

Woodsist

Got Old b/w All I Know are two unreleased B-Sides written and recorded by The Babies, produced by Rob Barbato and engineered and mixed by Drew Fischer as part of the Our House On The Hill sessions which took place in February 2012 at Comp'ny Studios in Burbank, CA. The songs never found a home until now, as a digital 7" via Woodsist.

Babies, The

Our House On The Hill

Woodsist

***Received a 7.8 rating from Pitchfork. After their first full-length album on Shrimper, a demos EP on New Images and scores of singles on domestic and international record labels, The Babies’ second album Our House on the Hill is their Woodsist debut and the first with new bassist Brian Schleyer. While the band was originally conceived as a side-project outlet for Kevin Morby and Cassie Ramone—along with drummer Justin Sullivan—to trade song ideas and play house parties, the project grew into a full-time affair. The Babies spent much of 2011 touring the US and abroad, all the while writing new material, both in their home of Brooklyn and during a two-month sojourn in Los Angeles. In February 2012, the band swapped their usual environs of Brooklyn’s Rear House recording studio and spent two weeks in Los Angeles working with producer Rob Barbato (Darker My Love, The Fall, Cass McCombs). The increased time and focus allowed them to explore musical directions only hinted at on their first album. Our House on the Hill features hushed dirges, melancholic traveling odes and squealing rave-ups, all made cohesive by Morby’s and Ramone’s captivating songwriting and lyrical themes. Organ, piano, saxophone and even strings enhance the aural atmosphere, which finds the band finally realizing a sound that can be called their own. Simple yet thoughtful; familiar yet haunting. Sweet but somber.  “… married throughout the entire record are those otherworldly harmonized ‘oohs’ and ‘aahs’ by Kevin and Cassie that’ll make the stubble on your spine take notice if...

Babies, The

Moonlight Mile

Woodsist

Woodsist presents The Babies’ latest single in anticipation of their upcoming full-length Our House on the Hill due out this Fall. The 7-inches features a non-album B-side and is limited to 1,000 copies.   THE BABIES - "Moonlight Mile" by WOODSIST

Babies, The

S/t

Shrimper

VINYL INCLUDES FREE DOWNLOAD COUPON!!! In 2008, Kevin Morby moved into Cassie Ramone’s small apartment in Clinton Hill, Brooklyn, for a few months. Morby, who plays bass in Woods, and Ramone, who sings and plays guitar in Vivian Girls, wanted to start a band. They both missed the sweaty loft shows they used to play before their bands moved on to larger venues and longer tours. Justin Sullivan, who had played with Ramone in Bossy, began practicing with them on drums, and The Babies debuted as a three-piece in March 2009 at Dead Herring, their friends’ loft in Brooklyn. They played a few times before asking Nathan Stark, formerly of Bent Outta Shape, to join on bass, and the full lineup’s first shows were that summer. The Babies wrote music and played shows in fits and spurts, whenever they all happened to be in town for a week. They recorded their self-titled debut album with Jarvis Taveniere at Rear House Studios, which doubles as Morby’s home; his vocals were done in his own bedroom. (Taveniere, Morby’s bandmate in Woods, has also recorded Real Estate, Vivian Girls and Woods.) The debut follows 7-inch singles on Make a Mess and Wild World. The Babies’ songs are roughed-up jewels cut from the same cloth as Hazlewood and Sinatra, The Velvet Underground and Nico, Pisces and Linda Bruner, and other dream marriages. The band will tour the West Coast again in January, to where they’re temporarily relocating for the winter to write their second record before...

Babies, The

All Things Come To Pass

Wild World

***“Last month, we alerted you to the existence of THE BABIES, a new Brooklyn lo-fi sorta-supergroup featuring lead VIVIAN GIRL CASSIE RAMONE, WOODS bassist KEVIN MORBY, and JUSTIN SULLIVAN, drummer for Brooklyn band BOSSY. According to Ramone, Morby writes most of the new band's songs: ‘It's good for Kevin because he's like the main guy, and it's good for me because I can take a more backseat approach and just kind of help out.’”—Pitchfork