Hurley, Michael

Hurley, Michael

Blue Hills

Mississippi

***AVAILABLE AGAIN!!! A sustained feeling of loss and need for redemption haunts this record. It ain't easy listening, but then what worth a damn is? Includes insert with Michael’s notes on the songs and some artwork.

Hurley, Michael

Hi Fi Snock Uptown

Mississippi

***AVAILABLE AGAIN!!! Michael Hurley’s classic third LP. Originally recorded in 1971, this record finds Hurley exploring the full range of his stylistic canon and features some of his most loved songs such as "Water Train," "The Twilight Zone," "Eyes, Eyes" and "Blue Driver."

Hurley, Michael

Armchair Boogie

Mississippi

***AVAILABLE AGAIN!!! One of Michael Hurley's most popular albums, and with good reason. Contains all time classics such as "Werewolf," "Sweedeedee," "Troubled Waters," "Open Up" and more. Recorded in 1970. Includes a reproduction of the original 1971 comic book by Hurley, Boone & Jocko In The Barren Choking Land.

Hurley, Michael

Sweetkorn

Mississippi

***AVAILABLE AGAIN!!! Michael Hurley worked on this new version of his 2012 classic Sweetkorn over the course of the last five years, creating a whole new record with the original Sweetkorn as its base. A new sequence, reimagined track list, new mixes and even new instrumentation.

Hurley, Michael

Blue Navigator

Feeding Tube

***BACK IN STOCK!!! "Pleased as punch are we to be reissuing Michael Hurley's long-lost 1984 album, Blue Navigator. Admittedly, Secret Seven and Mississippi collaborated on a dandy 8-track version a decade ago, but the record has mostly been available as an obscure import CD—if at all—for many a year. The reason for this is that the Rooster Records HQ burned down in 1987, taking master tapes, extra covers and whatever else there was with it. This was a general bummer, but especially so for us Hurley fans, since his final LP with Rounder was Snockgrass in 1980, and he didn't hook up with Fundamental to do Watertower until 1987. The disappearance of Blue Navigator from this earth left a sizable hole. Which we'd now like to think has been plugged. Recorded with a cast of Northern Vermont hepcats including guitarist Jon Weber (of Dan Hicks' original Hot Licks), head Rooster William Wright on guitar and mandolin, Nancy Beavan on vocals, Gordon Stone on pedal steel and various other goners, all playing some sweet rural swing displaying exactly how Hurley became the toast of the snowmobile club circuit during his days in the North Country. A mix of old favorites—'Werewolf,' 'Open Up (Eternal Lips)'—new favorites—'Code of the Mountains,' 'Ghost Woman Blues'—and even a re-write—'Blue Navigator'—it's a great, very casual sounding session, revealing more layers the more you listen. The instrumentation varies a lot between tunes, but the music always flows with Snocky grace and assurance. For this reissue, Michael has written...

Hurley, Michael

Redbirds At Folk City

Feeding Tube

***"Here's an expanded vinylization of a boss live show from Snock and his Vermont roustabouts, recorded at Folk City on July 17, 1976. Most of it was first issued back in '88, as side two of the Land of Lo Fi/Redbirds cassette on Bellemeade Phonics. But some new masters showed up subsequently, so there's an extra song and a half available for your listening pleasure. And pure pleasure is what it is. I always believed I had seen Hurley play somewhere in NYC before this. I thought maybe it was during the Unholy Modal Rounders' stint at Broadway Charly's, but Woodbill has continuously disabused me of this notion over the years. By his count, there were zero Manhattan Hurley shows until after the release of the acclaimedHave Moicy! album in 1976. And he oughta know. Consequently, this was probably the first time Hurley brought his band out of the hills. Guitar, bass, drums, piano and trumpet, all of them beautifully in sync and swinging like the rural hippie boogie band they were—tested by long nights in halls filled with rowdy snowmobilers and the women who love them. Hurley & the Redbirds were more than ready to bowl over the city slickers who filled Folk City this hot mid-summer evening. Snock's voice is limber and strong, flipping easily into falsetto and yodels, and the music is faultless. Something like the Platonic ideal of what 'bar rock' can be. They only do one tune from Have Moicy!, but nobody could have minded....

Hurley, Michael

Ida Con Snock

Gnomonsong

Michael Hurley is one of the last remaining ramblin' American folk troubadours. Hobo-ing around the country, making music since the days Bob Dylan first set foot in New York City's Gaslight club, Hurley recorded his first album for Moses Ash's legendary Folkways label in 1964 and continued to release albums for both Warner Brothers and Rounder. His mid-'70s Have Moicy album was among the top ten for the decade selected by Rolling Stone magazine. While many of his contemporaries are long past their prime (or deceased), Hurley's muse is still intact. Hurley's songwriting talent hasn't gone unnoticed by a new generation of musicians. In recent years, he was invited to tour with alt-country heroes Son Volt and Lucinda Williams. He's also shared bills with Smog and Palace Brothers, played with the Giant Sand rhythm section, and has of course appeared with (and been covered by) Vetiver and appeared on their records. His songs have also been covered by indie stars Cat Power and Yo La Tengo, among others. So, the matter at hand, a new album of recordings sung and played by Hurley, backed by Ida, appropriately titled Ida Con Snock: Snock himself marvels at this 21st studio album, recorded at Levon Helms' studio in Woodstock, NY. Ida's less-is-more finesse shines on these rich recordings, melding perfectly with Hurley's playing and singing. Many of these songs are already well familiar to Hurley's devotees. There are seven originals and five loving covers of '50s rock 'n' roll, C&W, and vintage folk, each tune...

Hurley, Michael

Ancestral Swamp

Gnomonsong

***Ancestral Swamp is the 20th full-length album by legendary rambler, cartoonist, “outsider” folk singer, and guitarist Michael Hurley. It arrives just in the nick of time for the rabid Snockophile. A batch of new vittles and encores of some of his classic tunes, Ancestral Swamp bubbles with laid-back ease and tremolodic goodness.  Most songs have the simplest of arrangements: Hurley singing solo, accompanied by his guitar, Wurlizter organ, or fiddle. Tara Jane O’Neil helps lend a nice touch to “El Dorado,” and Snock calls upon frequent past accomplices Dave Reisch and Louie Longmeyer for their graceful touch on sleepy winners like “New River Blues” and “Gamblin’ Charlie.” As with all Hurley’s albums, once one sets the needle down, one is put in a certain peace and place. His voice and songs are unique, shuffling with characters and visions clear and wild. With Ancestral Swamp, it seems Snock has left his front door open a bit wider than usual. If you lean in close, you can inhale a little of the vapor rising off the water, and enjoy a tale or two.  Snock has personally test marketed The Ancestral Swamp” and the results are in: “The Ancestral Swamp is actually a good party record, even though fraught with dirges of dying and death.”