Days Of Being Wild
***CHECK STOCK!!! Received a 7.6 rating from Pitchfork. Days of Being Wild was recorded over the course of six weeks in the summer of 2013 with Paul Oldham in a small detached shed in Los Angeles. The album art features original drawings by Max Markowitz. “I had worked with Paul on the last record I did, 2013’s Double Exposure, and I was lucky because he decided to move to LA right after that record was finished. My friend Brian Cosgrove has this house in the Echo Park hills, kind of a punk house where everyone who lives in it plays in bands. It’s got a front porch with a refrigerator on it and it’s got a one room shed in the back where bands rehearse. A lot of bands have rehearsed there over the years. Paul and I started meeting there over the summer and I would buy Paul beer. We drank whiskey on the first day, but I think we both got too drunk to do anything productive—well, at least I did, Paul’s from Kentucky, so he has an even higher threshold—so we switched to beer and things went smoothly from then on. I played most of the instruments, Paul played bass, and my friend David Kitz joined in on drums for two of the harder songs. Paul told me some great stories about all of the musicians he’s worked with over the years. He even told me the secret to I See a Darkness—Bunny Wailer’s ‘Blackheart Man.’...