Lycus

Lycus

Tempest

20 Buck Spin

Lycus has existed in some form since 2008, but became a more serious entity upon the primary members’ relocation from Sacramento to Oakland, CA. In 2011 they recorded Demo MMXI, which immediately caught the attention of 20 Buck Spin when it was posted online, and was eventually released on tape by Graceless Recordings (run by Mike Meacham of Loss), and followed soon after by a vinyl press on San Francisco’s Flenser Records. In late 2012, Lycus went into Earhammer Studios in Oakland to record their debut LP for 20 Buck Spin, Tempest. Lycus has crafted an incredibly mature album for such a young band, instantly recognizable as among the top funeral doom / death doom releases of the past several years. One can hear echoes of Mournful Congregation, Asunder, My Dying Bride, even Pallbearer within their melancholic dirges and woefully heavy riffs; however, Lycus don’t rely solely on punishingly slow tempos. In fact, even the slow sections have a sense of movement not often seen in the genre, and at other times the band breaks out into bursts of hysteric black metal, such as on the album’s 20-minute title track. Violins scattered throughout bring further variation to the funereal proceedings of Tempest—a record not content to simply sit on conservative genre ideals.  Featuring an incredible oil painting by Italian madman Paolo Girardi as cover art and a regal layout by Kevin Gan Yuen of Sutekh Hexen (who also contributes musically to the album’s closing moments), Tempest is the most...

Lycus

Demo Mmxi

Flenser

***Originally formed in 2008, lain to rest, and now, with their triumphant 2011 demo, resurrected in despair, California’s LYCUS are a welcome addition to the doomed pantheon. This weighty four-piece play mournful, weighty funeral doom in the vein of genre titans Skepticism and Worship and peers Loss; Demo MMXI is elegant in its despondency, and achingly beautiful in its sorrow. It’s frankly unbelievable that this is an initial offering; the complexity, maturity and crushing, heaving emotions encapsulated within these three compositions is nothing short of breathtaking. These forgotten sons of Samothrace, distant cousins of Anhedonist, purebred descendents of Asunder, have created something truly timeless, and have only just begun their slow, certain rise to the absolute zenith. Multiple scribes and band folk alike have already heaped praise upon this album, and it’s only fitting to see it entombed in wax by The Flenser. These three majestic compositions simply demand to be ensconced within the loving embrace of virgin vinyl, and now, finally the twain shall meet. Mastered on 45rpm vinyl by COLIN MARSTON (Krallice, Atheist, Jarboe, Rosetta). Limited to 500 copies.