Maida, Sal / Mitchell Cohen & Friends

Maida, Sal / Mitchell Cohen & Friends

(Vol. 2) The White Label Promo Preservation Society: More Flop Albums You Need To Know

Hozac

***The White Label Promo Preservation Society returns with another collection of essays celebrating albums that fell short of cracking Billboard’s top 100, but belong in the libraries of discerning music-obsessives. Among the artists who turn up in these pages are members of the pop, rock and soul pantheon, as well as many who remain obscure or underappreciated. Sal Maida and Mitchell Cohen and their dozens of contributors take a trip from the Kinks and the Beach Boys to the Violent Femmes and Teardrop Explodes. Get ready to spend your money at used vinyl stores, garage sales and flea markets. 383 pages. First edition of 600 copies. "The ultimate treasure map for striking gold in used record stores"—VictimofTime.com

Maida, Sal / Mitchell Cohen & Friends

The White Label Promo Preservation Society: 100 Flop Albums You Need To Know

Hozac

***BACK IN STOCK!!! HoZac Books is proud to present The White Label Promo Preservation Society: 100 Flop Albums You Ought to Know, written and compiled by Sal Maida and Mitchell Cohen, who have recruited for their “society” a gang of esteemed music obsessives: musicians, label executives, and journalists who chose favorite albums from the 1960s and 1970s to rave about and expound upon. The only criterion was that the albums never made the top 100 on Billboard’s LP Top 200 (although in a few cases, they did quite well on the R&B or country chart). The selection ranges from east coast vocal-group harmony to punk and metal, from superstars like The Who and the Beach Boys to virtual unknowns. As Sal and Mitchell write in the book’s introduction, “These are the albums you might not read about, except here. No one needs to tell you why Pet Sounds, Revolver or Blonde On Blonde are essential parts of any decent record collection, or guide you towards classics – or even somewhat lesser efforts – by the Rolling Stones, Chuck Berry or the Jimi Hendrix Experience. Or which Pink Floyd album is indispensable (hint: the debut; you can stop right there). Although we have strong opinions about pantheon artists like Led Zeppelin and Marvin Gaye, and are happy to share those views with anyone in earshot, that isn’t what this book is about. We aren’t here to challenge or endorse rock orthodoxy. Neither is the mission to, once again, assert the brilliance...