O'Sullivan, Daniel

O'Sullivan, Daniel

The Pastoral Machine

Vhf

Fourth volume of Library Music miniatures by Daniel O’Sullivan (Ulver, Æthenor, This is Not This Heat, etc) for VHF, this time commissioned by the legendary German Music Library, Sonoton. Another sampling of O’Sullivan’s versatility and brilliance as a composer, performer, and sound designer, the focus on The Pastoral Machine is more “electronic” compared to the three previous albums O’Sullivan recorded for KPM (also issued on LP by VHF), with simpler arrangements and a focus on gentle and emotive synthesised soundworlds. Even without as many full ensemble arrangements, there’s still a wealth of diversity—“Empathogen” opens the record with latticed arpeggiating sequences recalling Japanese “environmental music” or Persian Surgery-era Terry Riley, “Fruit Of Stream Entry” burbles with gentle ripples evoking the album’s title, while “The Silversmith Of Space” mines a simple chord sequence evoking Eno’s ’70s classic short instrumentals. “Superstrings” is a series of hypnotic overlapping guitar patterns, like a lost Ash Ra or Achim Reichel track. The brief “Star Lore” is a heavy highlight with deep bass washes and grainy, tape-laminated melodies, followed immediately by Rose Keeler Schaffeler’s vocal feature on “The Oscillating Love” recalling futurist new-age pop in the vein of Enya or Virginia Astley. Housed in a jacket and heavy euro-style inner featuring collages by O’Sullivan, soon to be the subject of an art book published by Timeless Editions in mid-2024.

O'Sullivan, Daniel

The Physic Garden

Vhf

Third in a trilogy of albums of library music miniatures from composer and multi-instrumentalist Daniel O’Sullivan (Æthenor, Ulver, This Is Not This Heat, etc) following 2020’s Electric Māyā and 2021’s Fourth Density. For heads, the term “library music” in 2021 might evoke dodgy Italian gray market LPs and crate-diggers hunting for “funky breaks”—but London’s venerable KPM Music is working with groundbreakers like O’Sullivan to open up new avenues for composers to experiment. The fifteen tracks on The Physic Garden are fully-formed and orchestrated compositions, which would be highlights on anyone’s release, never mind as incidental music. Of the music, O’Sullivan says: “The Physic Garden is an album of diverse instrumentals inspired by a swathe of verdant vistas from manicured gardens and follies to urban common land, overgrown and forgotten. Convalescent memories in the shape of psychedelic auditory botanics.” Key tracks include the droning acoustic folk of the title song; the Canterbury-esque rolling horn and woodwind melody of “Return The Heart” (with expert drum kit from Frank Byng); the prog-ish odd meter interlude “Buttercup Tea”; The quiet ambience and delicate melody of “Dusty Feather:”; and the Eno-like drift of “Vapourer Larvae.”

O'Sullivan, Daniel

Fourth Density

Vhf

Second in a series of three records of Library Music miniatures from composer and multi-instrumentalist Daniel O’Sullivan (Æthenor, Ulver, This Is Not This Heat, etc) following 2020’s Electric Māyā. For heads, the term “Library Music” in 2021 might evoke dodgy Italian gray market LPs and crate-diggers hunting for “funky breaks”—but London’s venerable KPM Music is working with groundbreakers like O’Sullivan to open up new avenues for composers to experiment with. Fourth Density’s fifteen tracks include several beguiling instrumental beauties, including the Ashra-like “Astral Survivor” and the drifty “Faster Than Light.” Mixed in with the instrumental are almost-pop gems like the hypnotic “Orgone Attenuation” and “Head In The Belfry,” both with guest vocals from Astrud Steeholder. Like the other volumes, this is in a beautiful jacket designed by O’Sullivan and Turner Prize-nominee Mark Titchner and pressed on aesthetically complimentary blue vinyl.

O'Sullivan, Daniel

Electric Māyā: Dream Flotsam And Astral Hinterlands

Vhf

First in a series of three records of library music miniatures from composer and multi-instrumentalist Daniel O’Sullivan (Æthenor, Ulver, This is Not This Heat, etc). For heads, the term “library music” in 2020 might evoke dodgy Italian gray market LPs and crate diggers hunting for “funky breaks”—but London’s venerable KPM Music is working with groundbreakers like O’Sullivan to open up new avenues for composers to experiment. Electric Māyā includes eighteen gems, beautifully arranged and recorded specifically for the challenge of the short form. These are fully realized tunes, not just clips from the middle of some jam to be used on late night TV. The obvious touchstones here are Eno’s On Land and Music For Films, but O’Sullivcan’s touch on multiple instruments and knack for melody extend the music far beyond mere atmospherics. There are plenty of drifty segments, each rendered fully realized—a timely reminder that a well-made drone or bit of ambience can set its spell in two or three minutes rather than thirty. In a beautiful jacket designed by O’Sullivan and Turner Prize-nominee Mark Titchner.