Sheaves, The

Sheaves, The

A Salve For Institution

Dot Dash Sounds

***The second LP from this inspired Phoenix DIY punk outfit. "Upstart New York label Dot Dash Sounds have teamed up with Paris' estimable SDZ to bang out this sophomore effort by The Sheaves, an outfit of desert peccaries whose swinley snouts have expertly strung together another string of stinging pearls for thine earholes. If the Placebo Records track team had a miler as lopey as this bunch, those trophy cups would have been perpetually brimming with Champagne's finest export."—Tom Lax, Siltbreeze Records

Sheaves, The

Excess Death Cult Time

Minimum Table Stacks

***Minimum Table Stacks is proud to present Excess Death Cult Time, the vinyl debut of Phoenix, AZ quintet The Sheaves. Previously released as a limited cassette by Moone Records, the album was recorded over the course of a year by the band at The Baby Room, their own home studio. Excess Death Cult Time is the result of Eric Mudd (along with drummer Joe Vittetoe, guitarist Lucas Aguirre, bassist Matt Hamel and Daniel Schurgin contributing drums, synth and organ work) meticulously assembling bits and pieces of various ideas and mixing the sounds to the point that the actual tapes began deteriorating, much to his delight. The result is a scuzzy post-punk blur of Jad Fair-style guitar pop as channeled through the ’80s “UK DIY” sonic disassembling of whatever “punk” was supposed to be. Think: Josef K, the Swell Maps, The Fall, the Homosexuals. Half-Japanese playing Chrome’s “Chromosome Damage.” The Sheaves are not moving the way you are supposed to.

Sheaves, The

Excess Death Cult Time

Moone Records

***The Sheaves are five of the proletariat's finest from the sun scorched SW of these United States. A shared love of punk (and all the pre-fixes in-between) informs the overall sound of the group. Starting as a home recording project, they began to play out in 2019 and have self released two tapes. The following year ushered in a period of pandemic home recording, which this album is the direct byproduct of. Influences include the usual host of US and UK punk, kraut, garage, etc., plus the more nefarious (or not so nefarious) music throughout the 20th century. With one foot planted firmly in the past, this is truly muzak to live, laugh, love to in the new roaring 20s.