Sparhawk, Jesse / Carbonara, Eric

Sparhawk, Jesse / Carbonara, Eric

Tributes & Diatribes

Vhf

Tributes & Diatribes is the lovely second set of tracks from the entirely unusual duo of Jesse Sparhawk (38-string lever harp) and Eric Carbonara (22-string upright Chaturangui guitar, banjo, nylon string guitar).  The four tracks here are restrained and unhurried, letting the elegant string flow breathe and build over each cut. Like on their debut Sixty Strings (also on VHF), there’s plenty of virtuosity, but it’s not showy and crass. These guys are more mood-builders (deep, cosmic, meditative) than doodlers. Even though Tributes & Diatribes is immediately graspable by those of us who like “our kind” of music, it really doesn’t sound like anyone else—a rare achievement.  Along with the main dialogue between the two players, the arrangements are filled out with percussion by Peterson Goodwyn, giving some of the tracks an overt groove that cuts against the spiraling string notes. Beautiful.

Sparhawk, Jesse / Carbonara, Eric

Sixty Strings

Vhf

Sixty Strings is an album of two epic duets by Eric Carbonara (22-string upright Chaturangui guitar) and Jesse Sparhawk (38-string lever harp). While Carbonara has studied Chaturangui extensively with Pandit Debashish Bhattacharya in Kolkata, and Sparhawk was classically trained by major figures of the harp world in his formative years, the music here is their own—not a mashup of quasi-orientalism and conservatory bloodlessness. Both side-long tracks lay out a spacious framework, with the two players supporting simple but elegant melodies that recall Brüder des Schattens-era Popol Vuh and various modal / devotional styles. While the sound of the Chaturangui’s sympathetic strings provides a constant electric blanket of comfort, Carbonara’s playing is concise and restrained, forgoing the kind of melismatic ornamentation that is a stylistic tic of much Indian-inspired music. Sparhawk, whose expert playing adds much to Fern Knight’s complex orchestrations, steps out and extends his instrument using various techniques: fingerpicking guitar-like patterns that interlock with Carbonara, and using sharply struck attacks at the upper register for a piano-like effect. On “The Entwined Twin,” the dry crack of a snare drum (played by Julius Masri) enters after a few minutes, ratcheting up the urgency and adding an unexpected texture to the proceedings. The excellent recording captures both instruments in detail with close-up, intimate feel.