Weather Station, The

Weather Station, The

(Color) How Is It That I Should Look At The Stars

Fat Possum

***"How Is It That I Should Look At The Stars is an introspective record of songs which were written alongside those that appeared on Ignorance. It is intended not to be a follow up, but to be a companion piece, a piece of reflection and quiet, meant to hold stillness in the aftermath. It was recorded live, as a performance; an improvisation, with a group of Toronto jazz musicians. I imagined it as a record of ballads; simple, pure, almost naive, but speaking to many of the same realities as Ignorance does. I see the two albums as two halves of the same coin; the moon and sun, a photograph and a photonegative." Pressed on gold vinyl. 

Weather Station, The

Ignorance (Deluxe)

Fat Possum

***NOW AVAILABLE IN A DELUXE PACKAGE ON IRIDESCENT BLUE VINYL!!! “The latest offering from the Weather Station, the project helmed by Canadian artist Tamara Lindeman, is a creeping, powerful meditation on all sorts of systemic social ills. Moving away from the Joni Mitchell-inspired folk of her previous albums, she embraces a sound more akin to the spacious and vaguely uneasy compositions of Talk Talk, allowing her music to more effectively take up big, billowing questions.”—NYT. Received a 9.0 Best New Music tag from Pitchfork.

Weather Station, The

(Colored) All of It Was Mine (10th Anniversary Reissue)

Fat Possum

***Originally released August 16, 2011, on You've Changed Records, Fat Possum Records is releasing a 10th anniversary edition on limited edition, bone colored vinyl. The 10th anniversary edition comes with updated art and new liner notes from Tamara Lindeman, reflecting on the ten years since "All Of It Was Mine" was released.

Weather Station, The

Ignorance

Fat Possum

***BACK IN STOCK!!! Received a 9.0 Best New Music tag from Pitchfork. “The latest offering from the Weather Station, the project helmed by Canadian artist Tamara Lindeman, is a creeping, powerful meditation on all sorts of systemic social ills. Moving away from the Joni Mitchell-inspired folk of her previous albums, she embraces a sound more akin to the spacious and vaguely uneasy compositions of Talk Talk, allowing her music to more effectively take up big, billowing questions.”—NYT.