White Stripes, The

White Stripes, The

Get Behind Me Satan (Limited Edition 20th Anniversary Vinyl)

Third Man

***Recorded on the stairway of Jack White's home in the Indian Village neighborhood of Detroit, this album features marimba, tympani, mandolin and bells, as well as the usual guitar and drums and piano. Described by someone as an "oddball masterpiece," it was not commercially released on vinyl until ten years after its initial release. Now in celebration of its 20th Anniversary, Get Behind Me Satan will be released on 2LP, one red smoke and one clear with red and black smoke colored vinyl.

White Stripes, The

Elephant (Limited Edition 20th Anniversary Vinyl)

Third Man

***The White Stripes are celebrating the 20th anniversary of their RIAA Platinum-certified 2003 fourth studio album, Elephant, with a special vinyl release, the limited edition 2xLP version of the original Elephant album on colored vinyl. LP 1: Red Smoke & Clear. LP 2: Red & Black Smoke.

White Stripes, The

Greatest Hits

Third Man

***The first-ever official anthology of recordings from the iconic rock duo, JACK and MEG WHITE, is an essential career-spanning collection highlighting 26 previously released songs. From late Nineties flashes of brilliance through early 2000s underground anthems, masterful MTV Moon Man moments, Grammy-grabbing greatness, and worldwide stadium chants, the songs here are as wide-ranging as you can imagine. In an era of streaming where the idea of a “Greatest Hits” album may seem irrelevant—that an act’s most streamed songs are considered their de facto “hits”—we wholeheartedly believe that great bands deserve “Greatest Hits” and that a large part of Third Man Records’ and THE WHITE STRIPES' successes have been built on zigging when the rest of the music business is zagging. Thus, for a great band with great fans, a greatest hits compilation for The White Stripes is not only appropriate, but absolutely necessary.

White Stripes, The

The Complete Peel Sessions

Third Man

***BACK IN STOCK!!! The first-ever official release of The White Stripes Peel Sessions on 2 stuffed-to-the-brim discs. Capturing Jack and Meg at the precipice of international renown in the hubbub of White Blood Cells, their two live sessions with famed BBC DJ John Peel are arguably the best document of the White Stripes at that time.

White Stripes, The

De Stijl

Third Man

***Named after the Dutch art movement and magazine of the same name from the early 20th century, the White Stripes sophomore release finds the band recording in the comfortable confines of Jack White's Third Man Studios, then housed on the ground floor of his house in Southwest Detroit.This is the album that would propel the band into globe-trotting rock and roll prominence, from jaunts to Australia, New Zealand and Japan, to a crucial support slot opening for Sleater-Kinney. The on-point covers of Son House and Blind Willie McTell pair wonderfully with both the minimal downtempo somber numbers and the maximum energy explosions of unadulterated power.Pressed on 180-gram vinyl and housed in a Stoughton tip-on sleeve, this is undoubtedly the best version of "De Stijl" to hit the shelves.

White Stripes, The

The White Stripes

Third Man

***Recorded in a cold, amenity-free studio during the Midwestern winter of 1999, the White Stripes debut LP stands alone as the most raw, unpolished and "Detroit"-sounding recording the White Stripes would ever birth. The vinyl here is cut directly from the original 1/4" master tapes, pressed on 180-gram vinyl and housed in a sturdy, beautiful tip-on sleeve.

White Stripes, The

White Blood Cells

Third Man

***For this one, Jack and Meg decamped to Memphis to record at the legendary Easley-McCain Studio and walked away with a bonafide classic. Unique for a White Stripes album, as it contains no covers, no guest musicians, no blues and no guitar solos, this album would be most of the world's introduction to the band.While the video for "Fell In Love With A Girl" could've single-handedly raised the price of LEGO stock three bucks a share (IF it was a publicly traded company) the other jams on here are momentous, from the fuzz distorted clarion call of album opener "Dead Leaves and the Dirty Ground" to the finger-pointing accusations of "I Think I Smell A Rat" this album has everything you could ever want from the Detroit duo.Cut directly from the original 1/4" master tapes, pressed on HEAVY 180-gram vinyl and lovingly ensconced in a beauteous Stoughton tip-on jacket...this album has never looked better, and perhaps, has looked markedly worse.