"It seems like we are heading towards even more unsettling times in the near future than we are in at present," reckons CHRIS HASLAM of GNOD. "2016 is just the beginning of what I see as the establishment's systematic destruction of liberalism and equality as a reaction to the general public's loss of faith in their system." Charged by this outlook, Gnod's new album, Just Say No To The Psycho Right-Wing Capitalist Fascist Industrial Death Machine, represents a hitherto uncharted level of antagonism and adversarial force for the band—an artistic statement as righteous, fervent and direct as its title. "On the surface it could almost seem like there's no political art movement out there to oppose what's happening, but there is—we know there is," adds the band's PADDY SHINE. "Maybe that movement is struggling to find its voice as a cohesive whole right now but that will change." Fueled by their militant drive and unyielding ardor, Just Say No refracts Gnod's harsh and repetitive riff-driven rancor through a psychotropic haze of dubbed-out abstraction, with Paddy's incendiary vocal delivery to the fore. Gnod—fiercely independent, never comfortable in one place artistically for any duration of time, always with their coordinates set on uncharted territory and the next challenge ahead, and delivering a monument of ire and iconoclasm.