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***AVAILABLE AGAIN!!! A central figure in Boston's sound art vanguard, Brendan Murray specifically shapes his repetitions and sinewy tonalities within the rigors of compositional frameworks and temporal restraints, setting himself apart from the conventional wisdom that drone-based music is an open-ended exercise into the "realm of the infinite." A single crescendo terminating at the end of forty-nine minutes, this epic investigates subtle harmonics and overtones expressed through layered slippages of pure sound conceived through guitar, analog synthesis, and plenty of digital manipulation. A worthy parallel to the work of Phill Niblock, Eliane Radigue, and Iannis Xenakis.