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The Black Book

iDEAL Recordings

“Epic, brilliantly curated two hour collection of new and exclusive material celebrating iDEAL Recordings' (1998-2018) 20th anniversary featuring JASSS, Stephen O’Malley, Jim O’Rourke (an epic 17 minute trance-enducer - honestly worthy of its own LP), Ectoplasm Girls, Robert Aiki Aubrey Lowe, Prurient, Puce Mary and many others...  We always say this - we hate comps - they’re almost always shite - but this one’s a bit of a mindmelter, featuring 20 new and exclusive tracks commissioned by label bossman Joachim Nordwall to celebrate the occasion of his label’s 20th anniversary, almost 1 track per year of going against the grain. Trust when we say that Nordwall's selection skills and sprawling network of interconnected artists has yielded a frankly ridiculous tracklisting, including a 17+ minute steamroom special from Jim O’Rourke, a pulsing electroacoustic killer from Stephen O’Malley, a rare new hookup between Prurient and Carlos Giffoni, brand new ambient/field recording peach from JASSS, an amazing fizzing drone tribute to Folke Rabe by Robert Aiki Aubrey Lowe, plus Puce Mary and Jesse Sanes aka JH1.FS3 on fine fine form, and just too many others to mention - over two hours of exceptional music. The story of iDEAL starts out in London 1998, when Nordwall was living the hardscrabble life: working in an underwear shop near Liverpool Street station; living in a filthy Bayswater apartment; scoring industrial records from the Music and Video Exchange; getting drunk in cheap pubs, and dreaming of starting a new record label and platform. He called it...

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Brown Acid - The Seventh Trip

Riding Easy

Everybody’s favorite source for the hard stuff is back in business, with ten more lethal doses of rare hard rock, heavy psych and proto-metal! Hard to believe it’s seven Trips in and they haven’t lost any steam. As usual, these obscure tracks have all been licensed, the bands have been paid, and the sources are all analog. The quality of tracks seems to increase along with the number of Trips and this cohesive collection comes outta the gate with both guns blazing!  Pegasus recorded one single in Baltimore in 1972 and they made it count. “The Sorcerer” is a throbbing ripper that prior to this was basically unknown. The track title for the Nobody’s Children single and start thinking, oh no, Riding Easy given up on bad trips. Fret not, “Good Times” was originally written as a joke. The song has since been bootlegged numerous times and even covered by the Butthole Surfers, but this is the first time it’s been fully licensed. This latest volume continues with many more boneheaded bangers, crunchy jams, and incredibly damaged heavy slabs. The closer on the Seventh Trip is one the label holds very near and dear. Not only is this record the one that’s taken the longest to secure the rights to, it’s also one of the very best examples of heavy psych ever heard. “The Darkness” was recorded in a basement studio in Kansas City in 1969 when the lead guitarist was only 16. The band was from a rural Missouri...

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Sore Losers

Goner

Reissue of an out-of-time and ahead-of-its time garage rock soundtrack to the typically out-of-his-mind Mike McCarthy aka JMM movie Sore Losers. The film is full of aliens, comic books, rednecks, zombies, boobs, gals, gals fighting, and rock ‘n’ roll. Starring the Oblivians’ Jack Oblivian, with Guitar Wolf, Mike Maker, the deliciously curvy D’Lana Tunnell, and a guest appearance by exploitation master David F. Friedman himself.  Anyone who has seen his movies can attest to the fact that Mike McCarthy always overdelivers. Sore Losers is as good / bad an example as any. Whole soundtracks would be filled out around just one of the acts on this thing—case in point, Greg Oblivian doing a toy instrument version of the much-loved “Bad Man” that is worth the price of the record by itself. Plus The Gories / Dirtbombs’ Mick Collins, The Makers, Jack Oblivian himself, and the mighty Guitar Wolf! Also New Orleans garage/ frat kings Royal Pendletons, Jeffrey Evans of the Gibson Bros with his ’68 Comeback, and also featuring Jack Taylor, the most amazing / fucked up guitar player ever. His guitar tone started with the legendarily messed-up solo in the Velvet Underground’s “I Heard Her Call My Name” and then added four fuzz pedals to it, creating modern art! RIP Jack Taylor. There is also Nick Diablo of Viva L’American Death Ray Music, The Drags, The Makers, Tim Feleppa, Gasoline… This is quality ’90s garage rock, still raw and vital as ever.  This rerelease coincides with McCarthy’s...

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Ayahuasca: Cumbias Psicodelicas Vol. 1

Lion Productions

***BACK IN PRINT!!!  What have we here? At first glance it seems like the missing volume from our Groove Club series, which it so easily could have been! In short, it's a stunning collection—which took more than fifteen years to put together—of tracks that combine cumbia with psychedelic rock. Starting in the late 1960s, there was a boom of tropical music in Peru, both in Lima and the provinces. The music called ‘cumbia peruana’ merged this tropical sound with that of psychedelic rock. Peculiar aspects of traditional Colombian cumbia were mixed with electric (often fuzz) guitar, played over native Andean and jungle rhythms; this combination provoked an explosion of original musical styles: an instrument to lead the way, usually from the introduction of the song; over this, hypnotic layers of keyboards or guitar with wah wah, and simple bass-lines; to top it off, syncopated rhythms from percussion instruments such as bongos, congas, huiros, cymbals, timbales, among others, often played at breakneck speed, to drive the song forward. Simple, funky, effective. In the end, it's like a sonic cousin to Nigerian music: these musicians liked guitar, they had a fondness for echo, and they loved a murky high-octane jam. Firece, funky and full of flavor. Includes an insert.

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Portland Edition

American Leather

***Fifteen exclusive and unreleased tracks by POISON IDEA, TOXIC HOLOCAUST, EYELIDS, TOP DOWN, MIDNIGHT and many more. Portland's in the charts. On rainy sky colored gray vinyl.

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Turn It Around: The Story Of East Bay Punk

1-2-3-4 Go!

***BACK IN STOCK!!!  Released by the Bay Area’s own 1-2-3-4 Go! Records, the two-disc Blu-ray / DVD combo pack edition of the Turn It Around: The Story of East Bay Punk documentary features the full-length theatrical cut of the film (2 hours and 37 minutes), five deleted scenes and more. This combo pack is a must-have item for any music documentary enthusiast or fan of East Bay punk. The film explores Northern California’s pivotal role in evolution of punk rock—the loud, intense and anti-authoritarian philosophy of music and politics that arose in the late 1970s. Early San Francisco Bay Area punk pioneers like the Dead Kennedys, Avengers and Flipper, as well as the Maximum Rocknroll fanzine helped take the punk underground global.  This documentary features a diverse spectrum of musicians and artists who have all been impacted by or participated in the California San Francisco Bay Area punk music scene of the 1970s, 1980s, and 1990s. The documentary’s cast reflects the deep renowned diversity of the creative community surrounding California’s Bay Area by featuring interviews with past and current members of 924 Gilman, Maximumrocknroll, Dead Kennedys, Avengers, Flipper, Green Day, Rancid, Lookout Records, Neurosis, Operation Ivy, Crimpshrine, Jawbreaker, NOFX, Primus, Metallica, Bikini Kill, AFI, Bad Religion, Guns ’N’ Roses, Fugazi, 7 Seconds, Dicks, Subhumans, and many, many more. Today, one knows about some of the bands who emerged from this scene, like Green Day and Rancid, but their success is just the tip of the iceberg; the...

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Turn It Around: The Story Of East Bay Punk / Lest We Forget

1-2-3-4 Go!

This double cassette set brings you the Turn It Around: The Story of East Bay Punk soundtrack and the first official repressing of the essential Lest We Forget in one handy package.  Turn It Around: The Story of East Bay Punk is a sprawling audio companion to the documentary of the same name. You get ninety minutes of music over thirty-five mostly rare, unreleased and / or out-of-print tracks from bands like Green Day, Rancid, Neurosis, NOFX, Operation Ivy, Jawbreaker, Pinhead Gunpowder, and many more. This album is must-have for both new and old fans of the early East Bay punk scene. Lest We Forget was assembled by Aaron Cometbus from extremely rare demos, rehearsal and live tapes and originally released on his BBT Tapes label in 1991. This compilation provides a crucial document of the East Bay’s pre-Gilman punk scene. Including the original bands of members who would go on to spawn Rancid, Operation Ivy, Pinhead Gunpowder, Samiam, Neurosis amongst many others. This release has new liner notes by Cometbus and freshly cleaned up audio.

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Outer Himalayan Presents

Dark Entries

Dark Entries and Sacred Bones team up to release the early discography of UK synth-punk and Deathrock label Outer Himmalayan Records. Between 1979 and 1982, Nick Blinko and Martin Cooper’s Outer Himmalayan Records released 7-inches by three short-lived bands – The Magits, Soft Drinks, and S-Haters – who would nonetheless cast a massive shadow on the UK’s burgeoning post-punk/anarcho punk scene. Outer Himmalayan Presents collects all of the music found on those original records, along with rare and unreleased tracks by all three bands. It’s a snapshot of a period of frenzied creativity by some of the UK’s most thrilling experimental punks.   Before Blinko went on to found the essential anarcho band Rudimentary Peni, whose storied body of work also appeared on Outer Himmalayan, he and label co-founder Cooper were The Magits. The lone release by the minimal synth-and-vocals duo, Fully Coherent, was the inaugural release on Outer Himmalayan — and, in fact, Blinko and Cooper’s impetus for starting the label. The four tracks on Fully Coherent are short, sharp bursts, comprising a total of four minutes. Here, they’re presented alongside the five-and-a-half minute “A Pawn in the Game,” a song that sees Blinko and Cooper get truly weird with the extra space the longer runtime afforded them.   The next release on Outer Himmalayan was S-Haters’ Death of a Vampire 7", which the quartet quickly followed with Stories as Cold as the Irish Sea. The band was recognizably a deathrock act, their gothic punk in the...

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Memphis Rent Party

Fat Possum

***The compilation illustrates the eclectic scope of Bluff City music, from FURRY LEWIS and JUNIOR KIMBROUGH to ALEX CHILTON, JIM DICKINSON and the PANTHER BURNS. Memphis is about individualism, about distinct characters making “it” different. The best music out of Memphis—be it deep blues, early rocking Elvis, Stax soul, indie—forged its own sound. The Memphis aesthetic is to not sound like hits, but to sound different. Sometimes “different” hits.

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Brown Acid - The Sixth Trip

Riding Easy

Six volumes worth of licensed tracks released in just three years: doing the Dark Lord’s work isn’t an easy job, but somebody’s gotta do it, so here is Brown Acid - The Sixth Trip, with more lined up. The heads just can’t get enough obscure hard rock, heavy psych, and proto-metal from the late‘60s and ‘70s!  This time around Riding Easy present ten deep cuts from across the continental USA and one from the neighbors up North. This trip kicks off with an outrageous number from Gold out of San Francisco circa 1970. The band used to open their sets with this over-the-top frantic jammer which is absolutely mind-blowing! Delving deeper into the depths, Canadians continue to prove that they could bang heads with the best of ‘em! Heat Exchange from Toronto released the rollicking ripper “Inferno” on the Yorkville label way back in 1968 and it’s still thumping almost fifty years later. Some more examples of the mind-melting tracks on this platter: Missouri isn’t a state that brought us a lot of heavy 45s, but there are a handful of outstanding tracks, one of which is the funk-laced anthem “Give Me Time” by Backwood Memory from Kansas City. Youngstown, Ohio, meanwhile, might have been the Hard Rock Mecca back in the day. Travis is yet another Youngstown group that aimed to get asses out of seats and out in the streets. Truth & Janey had their incredible proto-metal masterpiece 1976 album No Rest For The Wicked; released four...

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Citr's Pop Alliance Vol. 5

Mint

CiTR 101.9FM and Discorder Magazine have teamed up with Mint Records for the fifth volume of Pop Alliance. The series, which has become a bi-annual tradition between Mint Records and the University of British Columbia radio station, aims to showcase everything that is new and vital in the Vancouver independent music scene. Past artists featured have included The Courtneys, Weed, Ora Cogan, Apollo Ghosts, Peace along with a wide variety of other Vancouver staples. This year another group of artists from a diverse range of disciplines including High Plains, Swim Team, Tough Customer and more highlight some of the best from the West Coast circa 2017-18. Curated by Music Director Andy Resto and members of the CiTR Student Executive, CiTR and Discorder have settled on a broader understanding of the definition of “pop” this time around. Interspersed throughout the record are small interludes which use distorted clips of songs that had appeared on previous Pop Alliance compilations. The interludes serve as both a callback to the history of the series while also signifying a departure into musical and artistic realms beyond their initial scope. This gives a vitality and living nature to the record which reflects the ever changing and growing landscape of Vancouver’s music scene.

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I Only Listen To The Mountain Goats

Merge

****Here is a 2xLP cover album and companion piece to the podcast debut of I Only Listen to the Mountain Goats, from Night Vale Presents in collaboration with Merge Records and the MOUNTAIN GOATS. Premiering September 2017 and running through early April 2018, this unique bi-weekly podcast is a conversation music series focusing on the seminal Mountain Goats album All Hail West Texas, between Welcome to Night Vale and Alice Isn’t Dead creator JOSEPH FINK with New York Times best-selling author JOHN DARNIELLE, who is also the founder, lead singer, and songwriter for the Mountain Goats—and Fink’s own personal artistic hero. Together, Fink and Darnielle take the listener on a deep dive into the world of creativity and the duality of being an artist and a fan, both by sharing their own creative processes and music-geek obsessions and through immersive chats with other notable musicians and writers including best-selling YA author and music nerd JOHN GREEN (The Fault in Our Stars) and Merge Records co-founder MAC MCCAUHAN (Superchunk), as well as many special music guests such as ANDREW BIRD, CRAIG FINN, LAURA JANE GRACE and AMANDA PALMER, who offer up their own opinions as well as new renditions of songs from All Hail West Texas. This limited edition 2LP contains the full All Hail West Texas covers collection, introduced over the course of podcast season one, pressed to opaque pink & opaque blue vinyl. Full list of contributing artist to be unveiled in 2018. (STREET DATE - 4/06/2018)

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Songs From Under The Floorboard Vol. 1

Accident Prone

***From truly humble beginnings—believing it would simply be a show documenting the origin years of post-punk (1977-1983) that DJ DAVE CANTRELL lived through in San Francisco and London—radio show Songs From Under the Floorboard on Portland's XRAY FM very quickly evolved onto one of the world's premier sources giving focus to the hyperactive, current-day post-punk synthwave and darkwave scen across the globe. From that weekly blast has come Songs From Under the Floorboard Vol. 1, a compendum featuring rare and exclusive cuts from ten US and European bands. This is the first of a yearly series benefiting LBGTQ and fem-fronted service organizations—this initial release residual profits being funneled to Planned Parenthood. Features tracks from SHADOW AGE, ANNEX, PERRALOBO, OTZI, VICE DEVICE, GOLDEN APES, GHOST NOISE, SCULPTURE CLUB, BERNAYS PROPAGANDA FEAT. MIKE WATT, and FOREVER GREY.

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Cold Waves Of Color 5

Color Tapes

***NOW AVAILABLE ON CD!!! The fifth volume of the well received compilation series of 1980s electronic tracks from the Color Tapes label. As with the other volumes you can find great examples of cold wave, minimal wave and synth electronics made by obscure British bands such as BERSERK IN A HAYFIELD, DISINTEGRATORS, LIVES OF ANGELS, VOID, ECHOPHASE, SILICON VALLEY, MODERN ARTS, THE LORD—and a rare track by post-ALTERNATIVE TV avant-garde band THE GOOD MISSIONARIES. Includes the non-LP bonus track—a previously unreleased remix of Void's "Transvision." Housed in digipacks.

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Hexadic Iii

Drag City

***CHECK STOCK!!! Received a 7.6 rating from Pitchfork. If we subscribe to the current ISO 8601, then 2018 is Hexadic year three—the third annum since we were introduced to a new wave in combinatorial theory with powerful potentialities for music composition. The book, The Hexadic System, was written by SIX ORGANS OF ADMITTANCE's BEN CHASNY, who demonstrated the possibilities of the system with two albums of Hexadic composition, as well as touring the music and chairing talks on the process and uses of THE SYSTEM around the United States and Great Britain. This third installment of the Hexadic series had been planned from the beginning—inviting others outside of Ben Chasny’s Hexadic headquarters to make music using THE SYSTEM. Features music from MOON DUO, JENKS MILLER, MEG BARID & CHARLIE SAUFLEY, TASHI DORJI, RICHARD YOUNGS, PHIL LEGARD, and STEPHEN O'MALLEY, TIM WYSKIDA & MARC URSELLI.

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Silk To Dry The Tears

100% Silk

Sorrow’s only silver lining is the selflessness it inspires in others. The nightmare of last year’s fire in Oakland left so many of us shredded, shattered, and speechless. But a communal compassion surged up in response, with artists, allies, and acquaintances from all over the globe re-connecting and re-committing to the power and potential of independent music as a healing, unifying force. So many SILK friends and family reached out expressing the desire to contribute creatively to a relief effort that it was obvious the emotion needed an outlet. Silk To Dry The Tears collects 31 such songs from a spectrum of 100% Silk alumni and affiliates, threaded across four sides of fogged house, fantasy acid, nocturnal electronics, sleepwalker pop, and rhythmic reveries of varied internal states. Totaling nearly 170 minutes, it’s a sprawl and a statement, shared in the spirit of inclusion, endurance, and empathy. Music brought us together; music will keep us together. Mastered by Matt Tammariello. Design by Britt Brown.  50% the profits will be donated to Safer DIY Spaces, an Oakland-based coalition offering guidance, financial assistance, and labor to non-traditional creative community spaces.

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Heed The Call

Vostok

Aotearoa, New Zealand, nineteen-seventy-something, the bottom of the South Pacific—the largest Maori and Polynesian population in the world and a nation wanting to groove. Approximately three million people, two islands, hot summers, muddy winters, one TV channel until 1975, and all radio was AM. A constant supply of international soul, funk, and disco releases were available, but things got really interesting when local artists found their soul on vinyl. Heed The Call! collects the best New Zealand material from the afro-tastic days of 1973 to 1983. Artists include Mark Williams, whose “House For Sale” became a sought-after Northern Soul single, the (three) Yandall Sisters (two of whom are pictured behind Mark WiIlliams on the cover), a teenage Tina Cross, Dalvanius and Prince Tui Teka—all of these became household names in New Zealand. This collection mines some overlooked nuggets from their respective catalogs alongside lesser known acts like The Pink Family, with their non-secular floor sizzler “Don’t Give Your Life Away,” the gritty gospel soul of Sonia & Skee, and many others.  These are the songs that drove a country from black and white to technicolor, and, being a scene born in total isolation, it took turns that weren’t heard anywhere else. This is funk, soul and disco if Studio 54 had been set up within five minutes of a dairy farm, a rugby club and a marae, and it finally let people dance.

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Brown Acid - The Fifth Trip

Riding Easy

***BACK IN STOCK!!! The hits just keep coming—for this fifth lysergic journey, Riding Easy assembles ten heavy slabs of obscure rock the likes of which have never been seen before… not in this form, anyhow. And as usual, the tracks from these impossibly rare records have all been fully cleared through the artists themselves. Great lengths were gone to in order to get the best possible master sources, the worst case scenario being an original 45. The legendary Captain Foam kicks off this trip like an anvil to your skull with a rollicking stomper sounding like The Who with Matt Pike’s thunderous guitar tone. “No Reason” wasn’t easy to find, but lo and behold, the super sleuths located him and got his blessing to include the A-side of his sole single. Good luck finding an original copy of the record. It’s rarer than raw beef—and that’s just the tip of the iceberg. The other nine tracks continue the onslaught in typical Brown Acid form: George Brigman’s charmingly disjointed bedroom-fi production of “Blowin’ Smoke,” Finch’s way out of time and place grungeadelic anthem “Nothing In The Sun,” Cybernaut’s heavy prog, Fargo’s hallucinogenic BBQ-sauce soaked “Abaddon,” Mammoth’s fittingly beefy eponymous riff-monger, Flasher’s “Icky Bicky” boogie, Ohio-based screamers Lance, Zebra’s gritty rendition of “Helter Skelter” and finally, the mysterious and previously unheard Thor appears here exclusively and for the first time ever with their unknown 45 track “Lick It.”

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Tokyo Flashback

Black Editions

***BACK IN STOCK!!!  Received an 8.3 Best New Reissue rating from Pitchfork.  Black Editions present the first ever vinyl edition of Tokyo Flashback, the legendary 1991 compilation that defined the Tokyo psychedelic movement and first brought it to the outside world. Tokyo Flashback is one of the most iconic compilations in the history of underground music. Originally released by Japan's P.S.F. Records, Tokyo Flashback defined the breathtakingly unique and previously obscured musical movement that had been developing in Japan since the late 1970s. The compilation features some of the earliest released recordings by KEIJI HAINO, HIGH RISE, MASAKI BATOH's GHOST, WHITE HEAVEN, FUSHITSUSHA , KOUSOKUYA, and MARBLE SHEEP. It captures the excitement and energy of a Tokyo awash in Technicolor and deep blacks; the music echoing krautrock, psychedelic freak-outs, garage, and no wave. At the same time it reveals astonishing, totally idiosyncratic expansions of rock music. In time, Tokyo Flashback expanded to a synonymous nine volume series that, over the following two decades, unveiled Japan's ever evolving soundscapes to the rest of the world. Tokyo Flashback is a defining statement of late 20th century Japanese psychedelic music and an essential primer to the world of P.S.F. All tracks are exclusive, this edition features the first time translation of the original liner notes. Black Editions' deluxe edition is entirely re-mastered and marks the first release of Tokyo Flashback outside of Japan and it's first ever vinyl issue. Also features VERZERK. Newly created artwork and design expanding on...

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Lasst Die Alten Sterben Soundtrack

Swisspunk

***The soundtrack to Juri Steinhart's Swiss indie film Lasst Die Alten Sterben (Let The Old People Die) featuring classic Swiss punk tracks from NASAL BOYS, BASTARDS, SPERMA, TNT, THE SQUIRT, SIDA, DIETER MEIER & FRESH COLOR, VORWARTS, FLURIN GIGER, and others Compiled by Swiss punk expert LURKER GRAND (author of Hot Love # 1). Housed in gatefold jackets with large poster and 16-page fanzine (English). Limited to 100 copies for North America.

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Trax Test (excerpts From The Modular Network 1981-1987)

Ecstatic Recordings

Trax Test’ is the first ever survey of Italy’s pioneering, visionary and influential label and mail art collective Trax, which ran from 1981 - 1987 as a network for the creation of collaborative projects. The collective included a pre-NWW Colin Potter and some of the earliest work from Masami Akita aka Merzbow, but also had deep connections with the art world; a few trax members went on to become famous designers and artists - Ettore Sottsass of hugely influential Memphis Group even guests on vocals on the last track of the compilation. The whole selection here is rare as heck and sorely in-demand by collectors, much of it now making its vinyl premiere some 30 odd years after the fact.  With credit due to compilers Vittore Baroni of Trax and Ecstatic’s avowed wave fiend, Alessio Natalizia (Not Waving) - who was also behind the ‘Mutazione (Italian Electronic & New Wave Underground 1980-1988)’ compilation - ‘Trax Test’ is a portal to the international scene which laid the grassroots for a proliferation of electronic music over the proceeding decades - a pioneering part of the infrastructure for independent music distribution which could be said to pre-echo the myriad social networks and platforms which exist for sharing music today.  As Frans De Waard astutely points out in the 16-page booklet, there were no ‘templates’ for this thing back then - as opposed to the forms of Soundcloud, Spotify or YouTube nowadays - meaning artists did everything DIY: from cutting, pasting and...

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Cold Waves Of Color 4

Color Tapes

***NOW AVAILABLE ON CD!!! Fourth volume of the completely sold out electronic compilation series from the 1980's Color Tapes label. As with the other volumes you can find great examples of cold wave, minimal wave and synth electronics made by obscure British bands such as DISINTEGRATORS, MYSTERY PLANE, BESERK IN A HAYFIELD and LIVES OF ANGELS—all recorded between 1980-1985, vestiges of the 1980's UK cassette underground scene. Comes with poster insert and reproduction of issue 3 of Color Tapes' own in house Purple Twilight fanzine from 1985 that features articles on INSANE MUSIC, SPACE BROTHERS and Lives Of Angels. Housed in a digipak with 28-page booklet.

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Horrendous New Wave

Lumpy

***Sixteen no name new wave bands from the minds of many celebrated cretins across america and beyond, such as Joe Suss (Nancy, Muff Divers), Rik (Pigs, Mongoloid), Jake Robertson (Ausmuteants, Leather Towel), Arielle McCuaig (Janitor Scum, Glitter), Andy Peterson (Gibbous, Trauma Harness), Cody Phifer (HairLong n Freeky, Nosferatu), BB Eye and many many more! Curated by yours truly, with screen printed jackets, art by Janitor Scum.

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Cruise Control - A Summer Sampler

Italians Do It Better

***JOHNNY JEWEL's summer 2017 mix featuring twenty tracks culled from recent Italians Do It Better 12-inches, assorted LP excerpts and archival reissues. Features music from NITE JEWEL, TESS ROBY, HEAVEN, TWISTED WIRES, CHROMATICS, IN MIRRORS, FARAH, GLASS CANDY, ANDREW DOUGLAS ROTHBARD, and MIRAGE. 79 minutes of pure IDIB magic.

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Brown Acid - The Fourth Trip

Riding Easy

If you thought Riding Easy was getting close to the end of the Brown Acid series with their last Trip, you were dead wrong. They’re only just getting rolling. The well of privately released hard rock, heavy psych, and proto-metal 45s is deep and nowhere near tapped out. Most of these records, barely released and never properly distributed, were never easy to find, unless you’re willing to dig. Hard calluses have formed from handling the shovel and sifting through a lot of dirt, but here are another ten tremendous tracks to share with all the heavy heads out there. This volume brings together eight insanely rare and skullcrushingly heavy 45s as well as two previously unreleased bangers. The records included on this volume vary in rarity, but at least two of them were virtually unknown until Riding Easy discovered them. You’ll win the lottery before you find copies of all of the original 45s in even the best record stores. Many of those included in this volume are owned only by the members of the bands and some of the band members don’t even have personal copies. That’s just how hard these guys hit it back in the day! It’s lucky some of these guys are still alive and well enough to give permission to use their masters. Brown Acid is here to stay—plug in, turn up, and freak out, this is what rock ’n’ roll is all about!

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Bloodstains Across Virginia

Prompt Critic Productions

***BACK IN PRINT!!! Note new price. A collection of rare and classic Virginia punk circa 1978-1983. Features tracks from ZITS, PREVARICATORS, LAMOUR, NOYS, BARRIERS, BEEX, INSINUATIONS, NAROS, CHUMPS, CITIZEN 23, RATICLES, NEXT OF KIN, and RICKY AND THE WHITE BOYS. Fifteen cuts in all.

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Shake Yo Shimmy Vol. 1

Feral Kink

***A most ass rippin’ set of '50s & '60s gospel / soul / R&B scarcities programmed most boldly to set your ass ablaze! Features cuts fom THE PILGRIM WONDERS SINGERS OF TOLEDO OHIO, THE PILGRIM JUBILEE SINGERS, REV. LONNIE FARRIS & HIS GOSPEL FLAMES, LITTLE "WALKIN'" WILLIE & HIS SWINGING BLUES MEN, SAMUEL PATTERSON, JOHNNY TALBOT, PIANO RED, THE SOUL SEEKERS, THE CYMBALS, ANDY WILSON, IKE TERRY & HIS LYRICS, THE ZIRCONS, CHARLES LATTIMORE, WILBERT HARRISON and EARL BROWN & HIS BAND.

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The Hired Hands: A Tribute To Bruce Langhorne

Scissor Tail Editions

Compiled by Dylan Golden Aycock, Loren Connors, and Suzanne Langille, The Hired Hands is an homage to one of the greatest and most infamous guitarists alive, Bruce Langhorne. His music has influenced and touched a lot of lives over the years, either through his soundtrack work with Peter Fonda or his studio work in the 1960s as the go-to hired hand for Bob Dylan, Joan Baez, Richie Havens, Odetta, and many others. Browsing his wikipedia page, one is informed of the volume of work he accomplished throughout the ’50s, ’60s and ’70s. Scissor Tail Editions was lucky enough to release Langhorne’s score to Peter Fonda’s 1971 anti-western The Hired Hand on vinyl in 2012. Artists were asked to cover or reinterpret a song of their choice from the soundtrack. No rules were made on whether the music should be derivative of a certain song — if the soundtrack inspired a mood, then the artist could use their intuition. Langhorne has come on hard times in recent years, having suffered a stroke that prevents him from playing the guitar. A large percentage of the profits for this tribute go to Langhorne and his family.

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Sensate Silk

100% Silk

To commemorate the label’s catalog centennial 100% Silk spread its threads coast to coast and station to station for 11 faded blazers and future classics from a fresh cast of characters spanning Okayama to Berlin, England to Echo Park, Boston to British Columbia. Despite such distances the rhythms run parallel: lithe, low-lit, lush, and lost in sense memory. Sensate Silk swirls 75 minutes of smeared neon house, glitter decadence, skyscraper shuffle, flatliner acid, lovesick loops, mutant pulse, rave reverie, and tactile electronics into an expansive voyage of motion, mood, and meaning. Roster includes: Keita Sano, Cromie, Sage Caswell, Inoue Shirabe, Jack Novin, Donny, Badia, PARC, Helios Mode, Nackt, Westcoast Goddess. Defend the dream; feel the feeling. Mastered by Alex Nagle.

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Frequency Of The Truewave Vol. 2

Nervous Intent

***This is the newest edition of the well-received compilation tape series from Nervous Intent Records. The tracks chosen for the Frequency of the Truewave comps are curated carefully by the label, with a listening flow more akin to classic mixtapes than standard compilations made up of random oddities from the bands. All the bands operate on the punk/hardcore/post-punk spectrum, happen to be fronted by women, and are unified by a common raw, powerful, and distinct vision grounded in truewave/punk aesthetics and ethics. Features PRIESTS, SHOPPING, CROOKED BANGS, STREET EATERS, RAGANA, NO BABIES, MOZART, TROIKA, COMPOSITE, LIE, NAIVE, DAISY WORLD, STRANGE FACES, SPLIT FEET, STEEL CHAINS and VIOLENCE CREEPS.

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I Said No Doctors

Dymaxion Groove

***A 2xLP compilation of the most groundbreaking artists of current and past decades who have redefined sound by creating and destroying musical instruments to fit a specific sonic character and method of music-making. Features exclusive tracks from SILVER APPLES, DAVID GRUBBS, OVAL, SENYAWA, JAD FAIR, DAN DEACON, SLUMBERLAND and more. Pressed on 180-gram vinyl with download.

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Twistin’ Rumble Vol. 7

Twistin Rumble

***The seventh in this new series of reissue insanity. Features fourteen cuts of soulstomp, twist-party lunacy, garage, and R&B circa 1960-1968. Dig it—AMERTONES, JAY HODGE ORK, RAY SCOTT & THE SCOTTSMEN, LEGENDS, FUGITIVES, VELVETEENS, RAG MOPS, SHAN-TONES and more.

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Sin Alley Part 1

Big Daddy

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Ho-dad Hootenanny Too!

Crypt

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Jerk Boom Bam Vol. 1

Jerk Boom Bam

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Jerk Boom Bam Vol. 10

Jerk Boom Bam

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Jerk Boom Bam Vol. 2

Jerk Boom Bam

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Jerk Boom Bam Vol. 3

Jerk Boom Bam

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Jerk Boom Bam Vol. 7

Jerk Boom Bam

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Jerk Boom Bam Vol. 8

Jerk Boom Bam