New Releases

Whiles

Colors of the Year

Anyway

The Whiles are a Columbus, Ohio indie-folk-rock band whose work spans four different decades. Formed in the late 90s, The Whiles have shared the stage with The National, Grizzly Bear and My Morning Jacket, had a song in an Academy Award Nominated documentary (Murderball) and all of its members have been at the center of the world renowned (and sir Paul McCartney endorsed) Sgt Peppercorn's Marathon, the only show of its kind in which all 220 songs of the Beatles are performed in a single 14 hour performance. In 2024, The Whiles booked time with legendary producer Steve Albini (Nirvana, Pixies, Breeders) to record a new album. Unfortunately, Alibini tragically passed away three months before the scheduled recording dates. The Whiles pivoted and finished two records on their own in their home studios: Hummingbird, a 10 song polyrhythmic meditation on being a middle aged parent in a post-Covid world, and Colors of the Year, a rerecording and 3D reimagining of the band's 2004 masterpiece. Both albums showcase the bands ability to incorporate Beach Boys harmonies, George Harrison-esque guitar composition, the 2000s indie aesthetics of bands like The Shins and The National and Dylan/Cohen inspired lyrical precision, and an emotional vulnerability that echoes The Smiths and Elliott Smith. The Whiles bring a uniquely earnest musical kaleidoscope of both records, records that hopefully will resonate in a fragmented world that craves beauty and truth, The Whiles are excited to be an active band again, looking back and celebrate the rerecording of a...

Orcutt, Bill & Mabe Fratti

Almost Waking

Unheard Of Hope

Mabe Fratti is a Guatemalan cellist, vocalist, and composer based in Mexico City, celebrated for her experimental yet deeply melodic work. Blending cello, voice, synthesizers, and electroacoustic textures, she builds songs that move between improvisation, ambient soundscapes, and off-kilter pop forms. Emerging from Mexico City’s improvisational and experimental scene, she has become a key voice in contemporary avant-pop.Bill Orcutt is an American guitarist and composer known for his raw, highly individual approach to improvisation. A co-founder of the 1990s noise-rock duo Harry Pussy, he helped shape a fiercely abrasive aesthetic that drew from no wave, hardcore punk, and free jazz. Often playing a four-string guitar in unconventional tunings, he combines shards of melody, sudden silences, and surging rhythmic bursts, creating music that feels both primitive and structurally intricate. In parallel with his work as a guitarist, he runs the Palilalia and Fake Estates imprints and develops his own audio software, continuing to blur lines between avant-garde experimentation, song form, and DIY practice.Almost Waking:"I had known about Bill’s music for a while: since his 2017 release under his own name. I connected a lot with his music and I had no idea that years later we would be collaborating! It was a total surprise that we started chatting on the internet of collaborating!—we bounced ideas back and forth, all starting with a series of guitar solo stuff that Bill sent me. I had a great time with the pieces and in some of them had the honor to collaborate with I....

Osees

Cara Maluco

DEATHGOD CORP

Osees return with a four-track EP recorded last year in Tornio, TX. A couple fried trippers and couple tight dance punk numbers. Crazy face indeed.Includes an etched B-side.

Siyahkal

Corrupt

Static Shock

***After making us wait a decade for their first LP, SIYAHKAL hesitate none to deliver another blow to the head. A year later, another twelve inches. On “Corrupt,” their trademark gallop comes through clearer while no less mired in ear-piercing qualls of noise. Unrelenting in intensity for its 12-minute run time, “Corrupt” has a certain urgency to it—a frustration, a tension and release. If it slows, it’s only to recollect and come back blazing. At moments, the record harkens to the dissonance of LP-era Die Kreuzen. At others, it harnesses the hypnotism of the first Una Bestia Incontrolable LP. Here, Siyahkal uses rhythmic propulsion like a jackhammer to the skull. If there are prisoners being taken, it will not be them. Through all of it are KG’s gruff vocals, and lyrics that aim to capture the very moment that the greater “we” all find ourselves in—under the boot of States that neglect our very right to be free. Iran or America, the people in power are all the same. They see us all as fodder for war, to maintain their power. And with ‘Corrupt,’ this injustice is not just written into word, but screamed into song.

Truck Violence

The weathervane is my body

Flenser

“We learn to speak from people, and to be silent from gods.” – Plutarch Truck Violence’s second full length record, The weathervane is my body, is an attempt to answer, an attempt at conciliation through refusal. Karsyn Henderson and Paul Lecours grew up in a French Canadian town of six hundred people, graduating in a class of nine. By fifteen they were running a local studio and radio station. There was no industry support, no infrastructure, no template for what they were trying to do, only the work itself and the conviction that it was worth doing. At seventeen they relocated to Montreal, joined by Chris Clegg and Thomas Hart, assembled from different corners of the country, and began building Truck Violence from the ground up. The weathervane is my body, the band’s second full-length record and first with San Francisco’s The Flenser, is the product of that process. Every element reflects this. The group composition, the recording, the mixing and the visual media were all produced in house without outside intervention. DIY here is not an aesthetic choice or a marketing angle, it is the only honest option available. The album cover was shot on film by the band on Avenue du Parc in Montreal. A figure perches atop a small Quebecois-style house, handbuilt from reclaimed materials, spine curved, legs pulled in, bare-backed against a skyline that dwarfs everything beneath it. A rural thing dropped into the grit of the city, small and out of place and refusing to...

BCMC

Stash

Drag City

***A two-headed, four-handed groove-and-space based understanding/alignment of purpose is written in the BCMC DNA. Cooper Crain and Bill MacKay’s guitar and keyboard duo make unbridled electro-ecstatic, intuitive assembly of deep and wide trans-hemispheric sounds. From the frontiers, judicious minimalist song flows.

Sick Gazelle

Veld

Vampire Blues

With their second LP Veld, Sick Gazelle take their cosmic and instantaneous group communications to new levels of clarity and structure, without losing the spark of the jam. The band expands from longtime Chicago underground players Eric Block on guitar (Veloce) and vocalist/saxophonist Bruce Lamont (Yakuza) with drummer Steve Shelley (Sonic Youth) to include Douglas McCombs (Tortoise) on bass. Though these five tracks are sculpted from improvisations, they’ve been refined into song forms that illuminate the strengths of both the individual players and the chemistry of the quartet version of the combo. This comes through in Veld’s moments of reflective subtlety on tracks like “I’ll Come Running,” in the foreboding tension of the cinematic “Ocean Always Wins,” as well as in the charged grooves and dubby undercurrents of the sideways rocker “Hippies.”

F/i

Invisible Men

Birdman

Birdman Records is proud to be reissuing Invisible Men, the early space explorations of electronic music pioneer F/i. In the mid-80s F/i was on the cutting edge of electronic bombast, producing cassette tapes of late-night interstellar sessions to be traded world over with the handful of heads that were plugged into similar perambulations. As a link between Throbbing Gristle and the Spacemen 3, this period of F/i has been woefully forgotten, until now. Later in the 80s, F/i would morph into Vocokesh continuing their space rock explorations. The 2LP set features founding member Richard Franecki, Brian Wensing and Steve Zimmerman, and includes the ultra-rare recording Air (produced around the same time as Invisible Men). For the first time on vinyl, a limited run of 500 copies will be released on June 26th.

Kennan, Cate

Shadows

Kranky

Los Angeles musician Cate Kennan’s self produced second full length unfolds with the poetry and immateriality of its title: Shadows. Ten vignettes of keys, strings, reverb, and voice, the songs sway and lope between dream and lullaby, rose-colored but remote. The album was inspired by the dislocation Kennan felt upon returning, after several years away, to the rustic neighborhood northwest of L.A. where she’d grown up: “Wandering through a place where my life once existed but where everything had quietly shifted with time.”The music conjures a mood of distance, dust, and dazed emotion, alternately lulling and unraveling. From shuffling tumbleweed vignettes (“The Lone West,” “Romantic Strings”) to sepia-tone torch songs (“Shadows,” “Reverie”) to oblique keyboard meditations (“Moonlight,” “Rain”), Kennan’s soundworld moves with a muted, murky beauty, like alluring shapes seen through smudged glass. In her hands, haze is a transformative property, liberating melody and memory into landscapes still untraveled: “What began as a period of nostalgia for me turned into a longing, not for the past, for a place that might exist somewhere beyond the horizon.”

Olson, Aaron Mf

Songs Album II

Country Thyme

***LA musician Aaron MF Olson is a man of many bands and hats; he wears his “Songs Album” sombrero when writing / playing / producing songs for singing and music for listening. On his second collection, Aaron’s polymath mastery of the music traces through multitudes of pop feels, ambling from introspective to satiric to love-lorn to sceptic to true devotion. In every song! A matrix of experienced life and aspirational being. Aaron's been a sideman to all sorts of people, such as Papa M, Tommy Peltier, and Tortoise.

Thætas

The Irredeemable Age

Profound Lore

After five years of gestation Thætas return with an auditory statement for their moment in time, the new album The Irredeemable Age on Profound Lore Records.The Irredeemable Age shows the band both refining and intensifying the brutal death metal approach from their debut album, Shrines to Absurdity, while deepening their explorations into the bizarre, the uncharted and even the avant-garde. The result is a dynamic mosaic of obsessively dark, organic, off-kilter and kinetic death metal.The four-piece band hail from the New York region, consisting of drummer Nick Crifo, guitarists Terrell Grannum (Reeking Aura, Buckshot Facelift, Squelching Flesh) & Pat Hawkins (Asystole, Needlepusher, Kyrios, Aberrated) and vocalist / bassist Cory Peterson (37564 Recordings). The album was tracked independently then mixed and mastered by the inimitable Colin Marston.

Bollweevils

Stick Your Neck Out

Dr. Strange

***Back in print for the first time since its original 1994 release. The Bollweevils are STILL one of the most energetic punk bands to have emerged from the Chicago punk scene. This is a major no brainer! Ferocity, power, energy and the lyrics to back it up. Packaged with new artwork and four bonus tracks. Remastered by Zac Damon.

Carroll, Jim Band

Dry Dreams

Fat Possum

***Remastered and back on vinyl! The follow-up to Catholic Boy, Dry Dreams is leaner and colder than it's predecessor. Jim Carroll trades the debut’s raw shock for a darker, more cinematic intensity: jagged guitars, haunted melodies, and street-poet lyrics that feel like midnight transmissions from New York’s underbelly. Featuring “Work Not Play,” “Lorraine,” and “Barricades.” Long overshadowed, now reclaimed—Dry Dreams stands as a crucial second chapter of the bands career.

Change Life

Change Life

Meritorio

***Change Life is the new creative project from Portland-based multi-instrumentalist, writer, and longtime Woolen Men leader Lawton Browning. Formed in 2023 in the aftermath of the pandemic years, the project emerged as a collaborative and fluid outlet centered around reinvention, experimentation, and collective creativity. Rather than functioning as a fixed band, Change Life operates as an evolving collective of musicians and visual artists.The self-titled debut album channels melodic indie rock, lo-fi textures, experimental pop, and reflective songwriting through a conceptual lens informed by anarchist and surrealist traditions. Across the record, Browning and collaborators explore uncertainty, transformation, and cultural dialogue while maintaining a strong sense of immediacy and creative freedom.Before launching Change Life, Browning spent over a decade fronting Woolen Men, releasing six acclaimed albums and touring extensively throughout the U.S. and abroad. With Change Life, he opens a new chapter rooted in collaboration, artistic experimentation, and new creative possibilities.

JC Thomaz And The Missing Slippers

s/t

Slovenly

***Holy smokes, folks! You might find this unfathomable, but it’s been a minute since we’ve lost our collective shit to a band like “this”… THIS means JC THOMAZ and the MISSING SLIPPERS, and seldom do creepy crews come swinging out the jungle on a bender formulated to execute the switchblade stomp with the swagger of a swamp rat. Until today, our Rotterdam ruffians have been making that racket going on 15 years with one krummy single to show for it (and by krummy we mean killer), but the Missing Slippers, under the tardy direction of JC Thomaz, have nailed down 13 ragers for a long-player for the ages. By the album’s third track, the dirty fuzz twister “Gimme Your Love,” you’ll have forgotten your name and if you put on your underwear today, and it only gets hairier from there… We’re fer sure here for moments like “Kirsty” that sound like Suicide, if Suicide wasn’t so fuckin’ weird, but just fuckin’ weird enough, and “Kelly Lynn” that conjures the most sincere Lux Interior since Cheater Slicks covered Bill Allen’s “Please Give Me Something” and gave it the royal Cramps treatment. The electrocution intensifies as the twist and grind mutates into mysterious come-down territory, with cunning waves of peak synesthesia on “Shit on the Streets,” proving that the Missing Slippers are missing no beats. Housed in gatefold jackets.

Whiles

Hummingbird

Anyway

The Whiles are a Columbus, Ohio indie-folk-rock band whose work spans four different decades. Formed in the late 90s, The Whiles have shared the stage with The National, Grizzly Bear and My Morning Jacket, had a song in an Academy Award Nominated documentary (Murderball) and all of its members have been at the center of the world renowned (and sir Paul McCartney endorsed) Sgt Peppercorn's Marathon, the only show of its kind in which all 220 songs of the Beatles are performed in a single 14 hour performance. In 2024, The Whiles booked time with legendary producer Steve Albini (Nirvana, Pixies, Breeders) to record a new album. Unfortunately, Alibini tragically passed away three months before the scheduled recording dates. The Whiles pivoted and finished two records on their own in their home studios: Hummingbird, a 10 song polyrhythmic meditation on being a middle aged parent in a post-Covid world, and Colors of the Year, a rerecording and 3D reimagining of the band's 2004 masterpiece. Both albums showcase the bands ability to incorporate Beach Boys harmonies, George Harrison-esque guitar composition, the 2000s indie aesthetics of bands like The Shins and The National and Dylan/Cohen inspired lyrical precision, and an emotional vulnerability that echoes The Smiths and Elliott Smith. The Whiles bring a uniquely earnest musical kaleidoscope of both records, records that hopefully will resonate in a fragmented world that craves beauty and truth, The Whiles are excited to be an active band again, looking back and celebrate the rerecording of a...

Natural Information Society & Bitchin Bajas

Autoimaginary + Totality

Drag City

***Totality! Automaginary! The in-studio convergence of Natural Information Society & Bitchin Bajas: two albums made over a decade of time, brought ye now together on CD. Congenial and organic, individual and ensemble inclinations incline in crafting new rhythm ‘n gravity pieces. Invisible force meets ancient object: unique passages in time by two ensembles in shared & separate forever arcs.

Chalk Teeth

Chalk Teeth

DNTL Records

***The debut self-titled full length from Los Angeles-based trio Chalk Teeth released on limited edition enamel-white vinyl. A fully DIY endeavor written, recorded, and mixed in the band’s North Hollywood rehearsal space, the album is an expression of human imperfection, discomfort, exuberance and bliss, compressed and emitted as elegant electronic doom.“Shoegaze-tinged, motorik dark wave. Black glass synths, washed in noise-rock guitar, with Polish vocals, propelled by relentless drum machine pulses.”—UPROXX

Alien Nosejob

How A Mosquito Operates

Iron Lung

***Long known as a fast and chaotic punk adjacent entity with a wonderful sense of humor, ALIEN NOSEJOB has used the ‘How A Mosquito Operates’ vehicle to take a refreshed look at hardcore and bring an exciting new energy to it. You can always count on JAKE ROBERTSON to offer the unexpected. We love this approach. No rules! Sometimes you get a laid-back synth-punk jam, a swaggered backbeat rock ’n’ roll banger or, in this case, a blistering 17 song hardcore album. There’s a lot of different influences mashed together (Adrenaline OD, early MDC, Neos), some more obvious than others, but no direct ripoffs or lazy genre exercises are to be had here. People conflate ANJ as a concept album band, but this one is a little freer in its approach. Handling some of the classic lyrical tropes (alienation, conformism, consumerism, anti Gov / War…) with an audacious ease and cool dexterity kind of acts as the glue to hold this wild crash together. It's cohesive in its non-cohesiveness, “just whatever was giving me the shits on the day of writing.” Alien Nosejob started as a loner bedroom recording project with no fixed genre, mutating over time into a 6-piece band with a restless punk-adjacent core. After 7 albums, 7 EPs, and 7 tours across Australia and overseas, the numbers started lining up—a kind of accidental 777. Not quite divine intervention, but close enough to feel like something bigger than a bedroom project. Recorded by Jake Robertson. Mixed by Jake...

Consensus Madness

Endeavors

Iron Lung

***“Let’s wage a war against austerity, banality and brutality.” Chicagoans and dear friends CONSENSUS MADNESS have arrived with a short, sharp shamble of a debut album… sung in provincial Midwest accents of course! A love-letter to proto-punk, first wave, and hardcore punk as a whole. With the infectious nature of their boisterous enthusiasm it would be impossible to not to pogo along to these com-moving, raucous tunes. It’s the best way to battle the monotony of the day-to-day grind and the general feelings of absurdity of the world as we know it. ‘Endeavors’ was inspired by a healthy dose of Dangerhouse, UK77, Neue Deutsche Welle, 90s Japanese garage, The Midwest, the grind, and an unending enthusiasm for great music that is still being made in the weird corners of this crazy world. Get timeless!Edition of 500 copies on black 140gr vinyl housed in a 24pt reverse board jacket with insert included.FFO: Amyl and the Sniffers, Snooper, the Chats, Cold Meat, Ariana Grande, Beton Arme. “But WE like: The Bags, the Stalin, X Ray Specs, Sparks, Rudimentary Peni, The Registrators, Hansaplast, All Hits ;)”

Diat

S.O.36 Berlin Sept ‘22

Iron Lung

***On a rare evening in 2022, the city of Berlin found all 4 members of its favorite gloomy post-punk band inside the walls of the legendary Kreuzberg venue S.O.36. A historic and culturally vital institution that has housed heaps of classic performances reaching all the way back to 1978. DIÄT was in top form this evening, and we were lucky to learn the sound people were wise enough to hit record at the desk. The set was atmospheric and tense throughout but highlighted with moments of intimate playfulness that one is normally only privy to in person. The crowd was treated to a mixed bag of beloved album tracks and obscure catalog deep cuts—some of which have never been available on vinyl before now. The band rarely played at that point and will most likely not play again any time soon, so this LP is your best shot at hearing one of the greatest bands do the thing they were born to do.Edition of 700 copies of 150gr black vinyl housed in a 350gsm jacket with A4 insert included. FFO: New Order bootlegs, ZickZack deep cuts, Australian post punk, German efficiency.

Big Takeover

Issue # 98

Big Takeover

***Big Takeover returns with features on THE WEDDING PRESENT, THE SAINTS '73-'78, BROKEN SOCIAL SCENE, BEVIS FROND, DIIV, HEAVENLY, TELEPHONE NUMBERS, SUNGAZE, MESSTHETICS, and many more.

Sonnichsen, Tyler

The Dead Milkmen

J-Card Press

***The Dead Milkmen emerged from the Philadelphia hardcore scene in 1983, released their debut album Big Lizard in My Backyard in 1985, and quickly became hard-touring college rock chameleons who eviscerated American exceptionalism, Generation X, and even their own left-field MTV success. When alternative rock took over, the scenes and styles they helped forge suddenly had no place for them, and the band dissolved as the internet began changing everything. After the odyssey and death of a founding member, an increasingly fucked-up world brought the veterans back together. Against remarkable odds, the Milkmen have returned to their world-building DIY roots, inspiring a new generation of fans.202 page 5x8 inch paperback with 22 black and white photos.

You-On

New Side

12xu

***You-On is a collaboration between Masami Tomihisa and Jim White.Three sessions, all improvised consisting of keyboard and drums were recorded at Jim’s in April and May of 2024. Guy Picciotto mixed, edited and sequenced the recordings comprising ‘New Side’, the duo’s first album together.You-On is two Japanese characters put together, asobu which means to play or to have fun andon which means sound.‘New Side’ is a work of precise, at times otherworldly beauty. The interplay between Tomihisa and White is nothing short of uncanny—it seems hard to believe these are the results of their first recordings together.Masami Tomihisa is a pianist, composer and improviser based in New York City. Prior to this, her most recent release was the ‘Invitations’ cassette released by Purplish in 2024.Environmental concerns prevent us from publishing drummer Jim White’s entire associated discography ; his most recent solo album, his second such LP for Drag City, ‘Inner Day’ was released in the Autumn of 2025.

Yleiset Syyt

Saitte Mitä Halusitte

La Vida Es Un Mus / Sorry State

***Saitte Mitä Halusitte is the new 9-song mini-LP from Helsinki, Finland’s Yleiset Syyt. If you loved 2022’s collection LP Toisten Todellisuus (also co-released by La Vida Es Un Mus and Sorry State), you’ll be pleased to hear Yleiset Syyt still has a knack for finding that circa-1981 hardcore sweet spot, evoking a moment when hardcore’s aggression bubbled over, yet the music still contained much of the pop architecture that anchored late 70s punk. In layman’s terms, I’m talking about hooks, which Yleiset Syyt has for days. Check out the downright iconic riffs in “Geenipoolin Pohjimmainen” or the title track, “Saitte Mitä Halusitte.” These riffs don’t just stick in your head; like “I Don’t Wanna Hear It” or “Pay to Cum” or “Iron Man,” they make you want to pick up a guitar and join in the fun. While Yleiset Syyt’s potent songcraft still recalls their Finnish forbears Lama as well as first-gen US hardcore legends like Minor Threat or the Fix, Saitte Mitä Halusitte doesn’t stop at homage, pushing the sound in several directions while maintaining Yleiset Syyt’s instantly identifiable voice. “Aavekaupunki” and “Kaaos Jää” draw on gripping, tension-filled UK82 punk, while “Sotakoneet” has that touch of melancholy that made both Lama and early Bad Religion so special. “Ansioton Köyhä” taps into Appendix’s aggressive glam-punk, while “Tuhat Kättä” closes the record by fusing moody UK anarcho-punk with “Damaged I”-style mental breakdown vocals. If you’re looking for raging, catchy hardcore, then Saitte Mitä Halusitte will scratch that itch. But there’s something...

Handover, The

New Old Medicine

Sublime Frequencies

***Hot on the heals of their spectacular self-titled debut album, The Handover is back with their second long form composition, New Old Medicine. Aly Eissa (oud), Ayman Asfour (violin), and Jonas Cambien (vintage organ/synth) have been cutting their teeth on the international touring circuit for the past two years, landing from town to town in their seductive spaceship to blow people's minds and then dematerialize into the void. An outline for a new piece began to emerge along the route and late last year during a stop in Berlin, this metamorphosis of the trio's sound was recorded in pristine form by Rabih Beaini at Morphine Studios. Attempting to define the music is not as important as allowing it to define itself—from person to person, village to village. All we can do is suggest what may resonate to lure you into the arena; psychedelic, folkloric, Egyptian, etc., as these excerpts from the liner notes suggest: "Though one long piece, New Old Medicine moves through several unofficial chapters. It originates in the psychic depths with a pensive melody. Gradually solidifying, the organ's first solo ushers the piece into a swaying, reverent dance. This dance nears its end with a vigorously percussive section on oud, handing it off to the violin for a climactic solo. A momentary pause, then the rhythm thickens, and the musicians ride untethered through the midnight. This frenzy is followed by a calm repose on placid water. But this calm is merely a deep inhale before the final charged...

Shaved Ape

Loveletter to Hardcore

Sorry State

***Shaved Ape delivers the follow-up to their much-loved 2022 demo cassette with Loveletter to Hardcore, five more blistering tracks of ultra-fast, ultra-mean, ultra-lean hardcore punk. The m.o. remains exactly the same as the demo: Vince takes a lifetime of frustration, angst, and energy and channels it straight into a cassette four-track machine, leaning on his decades of experience as one of hardcore’s best drummers (see his work in White Stains, Loose Nukes, and Sickoids), a drummer’s ear for a straightforward but effective riff, and a voice hell-bent on exorcising some demons. And since the first tape never got the vinyl treatment, we put those songs on the b-side, giving you a full LP (OK, 45RPM 12”…) of white-hot hardcore punk, wrapped in a swoon-worthy sleeve featuring a vintage Chuck Hults photo of young Riky Barnes ripping it up.

Cherry Cheeks

D.O. & The Bytes

Total Punk

***Cherry Cheeks are back with their third album, and it’s a concept album! A concept album is a bold statement and The Cheeks manage to pull it off and then some..Over the course of 14 tracks we follow our digital hero D.O as he is pursued by the evil Reapers. Their goal: to wipe his memory, but in service of who? It's a rock opera by way of a really awesome Saturday morning cartoon. Kyle Harms' song writing has chops have leveled up, and this thing is nothing but hits top to bottom. It drills its way into your head and demands attention. Tough when it needs to be but also oozing with pop hooks. Kyle handled everything from playing all the instruments and production, which is incredible, to the impeccable art. It’s a testament to his talent that he can pull this off without delving into the world of the hokey. The lyrics and story telling are really astounding. Nice to see a hometown kid knock it so far out the park. Grab your cereal and tune in to the world of D.O. & The Bytes. It will most likely seem very familiar. 100% TOTAL PUNK!!!!!

V/a

Dick Spottswood & Tompkins Square Present … 1925 Songs

Tompkins Square

***Dick Spottswood is a legendary musicologist with deep knowledge of early jazz, blues, international, and vernacular American music from the first half of the 20th Century. He has contributed notes and transfers of records from his collection to hundreds of influential reissue albums on many labels over the decades. Spottswood teams up with Tompkins Square to offer a selective view of our favorite 78 rpm sides from 1925, a pivotal year in the development of jazz, blues and early country music. Includes a 32 page booklet wiht extensive notes by Grand Ole Opry photo archivist, guitarist and writer of books, Cameron Knowler.

Nordwall, Joachim & Aaron Turner

Malign Seeds

SFI Recordings

***There was no premeditated methodology in place when Swedish electronics manipulator Joachim Nordwall and American guitar mangler Aaron Turner decided to collaborate on an album together. Initial experiments involved Turner submitting improvised guitar compositions to Nordwall for dissection and reassembly. While these exercises yielded interesting returns, the project truly began to bloom when Nordwall pitched several beat-oriented tracks for Turner’s perusal. Beginning from a place of structure and finding ways to corrode and disrupt the patterns proved to be a more satisfying tactic than molding chaos into something resembling cohesive form. And it was from this approach that Turner-Norwall’s Malign Seeds album took shape. From white noise to beats and drones, damaged rock, the xenomorphic sounds of Turner-Nordwall’s Malign Seeds represent both the grisly meat and the scraped-out husk of the 21st century’s niche permutations of rock music and is ultimately an exercise in language.

Fake Dust

Decrepitizing Din Of The Cerebral Psyopticon

Iron Lung

This is real West Coast Grind. After a couple of already impressive demos, Portland’s FAKE DUST blindsided us with a fully baked maelstrom of mindsnapping grindcore that only true masters of the craft can achieve. Absolutely unrelenting. Diabolically softening up the unsuspecting masses only to lay serious waste to our constantly monitored and mass media muddled minds. The times we live in are angry and chaotic, without much hope for relief - this is what the barrage of ‘Decrepetizing Din…’ reflects. With songs tackling a range of topics like self-medication, anxiety, paranoia, data collection, disillusion, deception and more, Fake Dust urge you to “pay attention to the evolution of the tools and tactics of the mass media mind control surveillance state. They are adapting rapidly to influence us, in ways we may not realize yet.” Be careful out there…FFO: Insect Warfare, Goner, Defeated Sanity, Excruciating Terror, Foetopsy, Mahavishnu Orchestra

Innumerable Forms

Fossilized Demons 2010-2023

Iron Lung

***What started in 2008 as an under-the-radar side project for one of Boston Hardcore's stalwarts has rotted into a five corpsed morgue of death/doom heaviness. This collection brings out all the now cult-status EPs into one fluorescent lab light for all the metal examiners to inspect. Hear the life beyond life slip into oblivion in reverse chronological order, left with nothing, cold and alone. That is the way music is meant to be heard. Now rest…We asked the band’s founder and only lifelong member, Justin DeTore about this compilation of short format bursts versus the torturous length of the albums: “I love the LPs but sometimes I feel like this is the way Forms was meant to be. Two different beasts. Cult EP band.”500 copies of glass mastered compact discs housed in a classic jewel case with 12 page inner included. ‘Dark Worship’, ‘Frozen To Death’, and ‘Petrified’ sessions recorded by Chris Corry. ‘Despotic Rule’ and ‘The Fall Down’ sessions recorded by Arthur Rizk. Remastered in 2026 by Greg Wilkinson. Art by Form Terror Growth. Layout by Jensen Ward.FFO: Eternal Darkness, Demigod, Incantation, Mortiferum, Abhorrence

Klonns

G.A.M.E.S

Iron Lung

This is the NEW WAVE OF JAPANESE HARDCORE. KLONNS are back with a sophomore ripper! Executed with passion, dexterity and extreme focus. Even better than Heaven. Better than heaven. Blasphemous hyperbole, sure, but the shit slays no matter how you term it. What comprises a heaven? A gooey soft place where your supposed soul can rest blandly for eternity? Yuck. We want action, we want fire, we want volume! Combining key elements of classic 80s/90s Japanese hardcore, NYHC, DIY punk/metal/crust and nowadays mosh, G.A.M.E.S has furthered Klonns’ mission of uniting the oft splintered factions of the global punk/hardcore scene by offering countless opportunities to slam and worm together in the pit. They continue to be one of the hardest working bands in the entire Japanese punk scene, touring worldwide whenever the chance presents itself. You will see them somewhere, no matter where you are. And it will be one of the best things you ever see. Released in Japan on Black Hole and in the US by Iron Lung.FFO: Lip Cream, Leeway, Gudon, Gag, Hoax, Agnostic Front

Zipper

Zipper

Permanent

***BACK IN PRINT FOR ITS 51ST ANNIVERSARY!!! "For our 50th label release, Permanent Records could not be MORE EXCITED to announce the 40th Anniversary reissue of ZIPPER's self-titled LP from 1975! You all know FRED COLE from DEAD MOON. And yes, PIERCED ARROWS too! But preceding both of his more 'famous' bands (and others like THE RATS, etc., etc.) was Zipper! Formed when Fred and TOODY COLE returned to Portland, Oregon after homesteading in Alaska, Zipper was the beginning of both Whizeagle Records, their in-house label, and Fred's long illustrious DIY RnR career. Equal parts acid fried psych, raw blistering guitar fireworks, proto-punk pummel and bone crunchin' heavy rock machismo, Zipper was Fred's headfirst dive back into the rock world after his disillusionment with the 'garage scene' post WEEDS / LOLLIPOP SHOPPE. No managers to tell him what songs to play or what 'sound' was in. No label to fight with. Just Fred Cole and a close knit group of fellow disenchanted rock n rollers (LORRY ERK, JIM ROOS and GREG SHADOAN), playing their in-the-red whiskey and cigarette fueled music as loud and furious as can be!"

Circulators

Pointless Games

Total Punk

***THE CIRCS ARE BACK with two new killer punk tunes picking up where they left off with 2024 debut LP. The sneer is front and center on A side 'Pointless Games' and they turn in the summer jam of 2026 with 'I Can't Swim." The perfect snot to pop ratio and 100% TOTAL PUNK!!!! Limited to 300 with hand stamped covers.

Dirty Fences

Too High To Kross - 13th Anniversary LP Reissue

Dig! Records

Has it really been 13 years since Dirty Fences released their first album TOO HIGH TO KROSS? Probably. We started counting and ran outta fingers.Still NYC’s favorite ‘Rock’n’roll, Hard workin’ band,’ the Fences—as their friends call ‘em—haven’t veered far from the path they first forged here. Maxed out, always tuneful heaters, intended for cranking at top volume, and perfect for howling along to in whatever damn key you please!Nowadays it’s hard to imagine a DF show without “All I Want,” “Heaven Is Tonight,” “Under Your Leather,” or “White Lies” in the boy’s hit-factory repertoire. Each and every one of these 13 tracks is bound to get stuck in-between your ears for days, then years to come.Meanwhile the band’s second and third full lengths, along with heaps of singles, furthered their sonic blitz, slyly as Ramones’ heir apparent, Bee Gees meets CBGBs rebel rousers, The Freshies’ worthy rival from the Big Apple — or, all of the above?!Recorded over two weeks at High/Low Recording in Memphis, Tennessee by Toby Vest, Too High To Kross quickly sold out, as the band toured up a storm. At the time nobody knew the album would spell THE E-N-D for Volcom Entertainment, who went bankrupt shortly after its one and only vinyl pressing. It’s remained out of print ever since. Until now.For years, aftermarket copies have been scarce and prohibitively pricey, and a proper reissue has been long overdue. After working with members’ other projects (Hershguy and Brower), Dig! Records is thrilled to give this...

Crozer, Mark

Homecoming

Dusty Mars

***Mark Crozer has released countless solo and collaborative albums and has been a member of legendary alt-rock band The Jesus and Mary Chain for nearly 20 years. Yet last summer, he was adamant that he wasn't going to release any more music. That mandate lasted until he started reminiscing about his childhood in Oxford, England and wrote the dark wave confessional, "Everything Must Change." That personal track inspired a full collection of songs. Homecoming, out on boutique indie label Dusty Mars, is a 10-song album that explores loss, grief, and endings with heartfelt candor and sharp British wit. A rainy-day record, it's lushly layered with loops, samples, effects-laden guitars, tribal beats, and Crozer's spectral yet soothing vocals.

Guitar Wolf

More Jet

Goner

Guitar Wolf returns to Goner Records!Goner's first release was Guitar Wolf's world-shattering noise rockabilly epic WOLF ROCK way back in 1993, the beginning of the Goner label and the legendary Guitar Wolf!Many tours, many records, and many eardrums later, Guitar Wolf has returned for the latest, and greatest Guitar Wolf record yet - MORE JET! More raw, crunching guitar noise, frantic rhythms, and unpredictable screaming! More head-scratchingly-great song topics! The perfect blend of Link Wray / Ramones / Joan Jett / Cramps sound and attitude mixed with industrial-strength noise.Guitar Wolf never went away, yet they are back and better than ever on their original—and forever—home—GONER RECORDS!

Deadbeat Beat

From Here To Ohio

We Are Time

***Even as the primary torchbearers for Detroit’s underrepresented pop factions, Deadbeat Beat remain on a path apart. The band has evolved gradually, growing deeper musically and intellectually around a core of immediate songwriting and always landing outside of standard indie rock parameters. This difference and the growth within it are both in full view on From Here to Ohio, the group’s third album and first substantial work since 2020’s How Far. It’s a powerful wave of songs that hit instantaneously, even as the band takes new risks with composition, instrumentation, and the vulnerability of saying more.The things that have always been great about Deadbeat Beat are still great. Sprouting from a teenage friendship that grew into a musical practice between drummer/vocalist Maria Nuccilli and guitarist/vocalist/songwriter Alex Glendening, the band has long lived in the precarious and holy intersection of garage rock drive and indie pop catchiness. Rounded out by the understated melodic bass playing of Zak Frieling, the songs became their own brand of dualistic excitement; ragged and nervy enough to dance to mindlessly in the basement house show, but never far from the melancholia and neurotic jangle of the most introverted Flying Nun band. Those basic building blocks are still in place here. The guitars are still clean (but not too clean), the rhythms are still snappy and uncluttered, and tight vocal harmonies still beam out like unbroken lines on a freshly repaved highway to somewhere better. Even if heard from a muffled distance, From Here to Ohio would...

This Heat

S/t

Superior Viaduct

“There’s an irony inherent in the term ‘postpunk.’ Many of the groups that define the genre (think Pere Ubu or Cabaret Voltaire) existed for several years before punk. But these outfits had little hope of finding an audience until punk stirred up an appetite for the extreme, while also spawning a new breed of independent labels that could support challenging music.“This Heat are a prime example. Formed in early 1976 by drummer Charles Hayward, guitarist Charles Bullen and ‘non-musician’ Gareth Williams, the group were initially unaware of what was brewing elsewhere in London, yet they were driven by similar impulses: to make noise expressive of the era’s turbulence. Instead of punk’s crude reduction of rock ’n’ roll, This Heat took their bearings from expansive inspirations: free jazz, Captain Beefheart, musique concrète, and reggae’s disorienting dub techniques.“Vital to their evolution was Cold Storage, a disused meat fridge in Brixton where the band rehearsed. Produced by This Heat with David Cunningham and Anthony Moore, their 1979 debut was collaged out of cassette tapes and recordings made during ultra-cheap graveyard shifts at The Workhouse. The jump-cuts in sound quality were deliberately designed to make the album more unsettled and jarring.“The first two principles of This Heat’s mission statement—‘All possible processes. All channels open.’—could have been co-signed by many pre-punk experimentalists. It’s the third part—‘24 hour alert.’—that makes This Heat archetypally post-punk, crystallizing the ‘totally-wired’ mood of paranoid vigilance they shared with peers like Scritti Politti and The Pop Group. Soft power—the mind-control of...